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Friday, July 16, 2021

HISTORY AS IDEOLOGY: THE BHARATIYA VIDYA BHAVAN SERIES AND THE ATTACK ON HISTORIOGRAPHY

 

HISTORY AS IDEOLOGY: THE BHARATIYA VIDYA BHAVAN SERIES AND THE ATTACK ON HISTORIOGRAPHY


In the years immediately after the Independence of India in 1947, a collective multi-volume history of India was published by the Bharatiya Vidya Bhavan. This organization was headed by Dr K M Munshi, a Minister in the cabinet of Jawaharlal Nehru. The purpose underlying this gigantic venture was to showcase the achievements of Indian historians who sought to publish a History of India on the same lines as other multi volume Histories such as the Cambridge Modern History. Spread over eleven volumes the BVB series attempted a synthetic and comprehensive History of India from the earliest period till the transfer of power from the British Government to their nominated successors in the Interim Government. Meticulously edited under the stewardship of Professor R C Majumdar, the doyen of Indian historians, the series represented the State of the Art in terms of historiographical achievement and canons of historical methodology. Surprisingly this splendid achievement became a victim of its own success in that it was relegated to obscurity as the tides of politics ebbed and flowed in the post Nehruvian dispensation. In this paper we examine a set of issues pertaining to the reception of this Series. First we study the scheme of the entire series with a view to uncovering the logic underlying this series. Aspects of periodization which have remained contentious are studied herein with the aim of explicating the overall schema. Secondly we examine the criticism leveled against this Series by Dr Romila Thapar who in her  various papers has accused the Series of providing “intellectual justification” for “Hindu Communalism” by invoking the ‘historical past”. In the now famous pamphlet Communalism and the Writing of Indian History Romila Thapar and her colleagues are at pains to delegitimize the entire pre Independence achievement in Indian Historiography on the grounds that it (a) glorified the past  (b) does not address the issue of social and economic change and (c)  advancing the notions of Hindu identity politics.  Given the leftward drift in intellectual life in India, it is no wonder that this litany of criticism was not subjected to scrutiny or examined for its inherent validity in terms of valid principles of historiographical criticism. It is totally inadequate to term this pioneering enterprise as a “communal” venture and consign it to the “immense condescension” of the historical profession.

 

      A fact that is often ignored by Historians is the late beginning of the Historian’s profession in India. The first post graduate Department of History was opened in India only after the end of World War I in 1919 to be precise. The Imperial Records Office which became the National Archives after 1947 opened its record for research only after Independence. Seen against the background of these facts, it is certainly very encouraging that soon after Independence such a stupendous task was undertaken and realized. It is worthwhile to recollect that none of the rival Series of collective scholarship which were meant to challenge the BVB Series have seen the light of day in their entirety. The flagship journal of the emerging profession of History, the Journal of Indian History was founded at Allahabad in 1922 and within a few years was shifted out.

The intellectual context in which History as a discipline emerged in India was vastly different from Western Europe. In both England and France, and perhaps elsewhere, the research into and the reconstruction of a National Past, went hand-in hand with the assertion of popular sovereignty which now imagined itself as the Nation. As Sovereignty came to be associated with and embodied in the will of the people as Natio or Nation, the State became the agency that sought to legitimize itself by appropriating the past and historians obliged by casting the past as a prologue for the emergent nations. Therefore the assertion of popular Sovereignty and the deployment of History as a vehicle for its imagined continuity with the past was a powerful intervention and made Historiography a new and powerful tool of Nationalism.

 

            A particular strand of Nationalist Historiography is unspooled as “Communal” and one of the reasons for the Bharatiya Vidhya Bhavan Series faring poorly in the market place of Indian Historiography is the criticism that it represents that tendency. There has been no attempt hitherto made to understand and explicate the implications of this interpretation. At its most general level the concept of “communalism” has become for historians a compass that governs questions of interpretation, explanation and method. Yet there is virtually no discussion either on the concept or its use as a category of historiographical criticism. Apart from the naivety of assuming that Independent India was unencumbered by its past and as Romila Thapar stated in her Past and Prejudice, “In a sense, the coming of Independence terminated that debate in its overt and recognizable form”.  Did it? Were the issues raised by the earlier historians laid to rest or silenced.

 

         Indian Nationalism and its “tryst with destiny” as an early Prime Minister of Independent India triumphantly proclaimed on the day the transfer of power was effected, was a poisoned chalice. The objective of Indian Independence was belied by the tragedy of Partition and questions about the shadow cast by the events of 1947 have lingered on. The boundaries of the debate have been set in a manner that effectively excludes questions about the responsibility for Partition and the air of supreme triumphalism inherent in the speech just alluded to set the tone for historians to follow. Perry Anderson in his Indian Ideology has alluded to the Barbara Cartland streak in the Discovery of India and the general tendency to avoid real issues about the convoluted road to the Transfer of Power. The Khilafat Agitation, the Quit India Movement and the boycott of the Cripps Mission were all important staging posts and in each of these the conduct of the dominant faction within the Indian National Congress was untenable and therefore questions about the road to Independence and Partition remained extremely uncomfortable for historians writing in the shadow of 1947.

 

The Plan and Scope of the BVB Series

The Bharatiya Vidhya Bhavan Series consist of XI Volumes each of which addresses a significant aspect of Indian history. The general view that it mimics the periodization of Indian history first suggested by James Mill is not correct as the Series does not characterize the early period as Hindu Period nor does it speak of the Medieval as Muslim Period. These terms are not used in the text and therefore to argue that Mill’s scheme of periodization was preserved in this work is not only incorrect but can easily be disproved. As Javed Majeed argues in his Ungoverned Imaginings: James Mill’s The History of British India and Orientalism, the Utilitarian doctrines underlying Mill’s work hardly had any impact on the subsequent study of India. In any event, the cautious policy prescriptions of Mill were soon superseded by Lord Macaulay’s Minute of Education, May 2 1835. Over interpreting Mill is responsible for exaggerating his influence on subsequent Historiography of India.

 

Empire and Statecraft

 

The study of recurring patterns of imperial political formations and their transmutations into variant forms, is an important theme in Indian historiography. The BVB series addressed this particular issue in three major volumes: The Age of Imperial Unity, The Classical Age and the Age of Imperial Kanauj. Stretching from the Mauryan Age till the fall of the Pushyabhuti Empire towards the close of the 8th century AD the three volumes are structured around the unification of India under the rule of dynamic and charismatic dynasties led by powerful chakravarti personages whose political fortunes were buttressed by a series of fortuitous matrimonial alliances with clans and lineages in their territories. The organizational scheme employed is certainly founded on narrative political history, but it’s conceptual topos is predicated on the longue duree of Indian history, the alternate rhythms of political expansion, contraction and eventual replacement by another set of political arrangements initiated by a rival clan or lineage which nested under the previous imperial carapace. The Gupta Dynasty is generally regarded as the archetypal instance of Indian imperial history in that its history illustrates the transformation of the kingdom under a maharaja in the third century AD into a powerful empire embracing the entire territory of India south of the Himalayas represents the apotheosis of an idea of kingship expounded in the texts known as the Dharmasastras that contain the informing principles of Rajadharma. The Gupta Era, appropriately inaugurated by the establishment of a new Era starting in AD 320, was marked by a steady pace of territorial expansion and the articulation of an imperial ideology that was to be the template for most of the early medieval period of Indian history. The Allahabad Pillar inscription of Samudragupta (AD 330-380) is the earliest expression of the new grandiose vision. The Bharatiya Vidhya Bhavan volume entitled the Classical Age does not refer to this period as a Golden Age and much of the polemic directed against this idea seems misplaced. The title maharajadiraja assumed by Samudragupta and proclaimed in the Allahabad Inscription presupposes the very existence of a substratum of little kings whose presence in the imperial polity sustained its legitimacy. If we look at the distribution of the territories enumerated in the Inscription –the Malavas, Arjunayanas, Yaudheyas, Madrakas, Abhiras, Prarjunas, Sanakanikas, Kakas and Kharaparikas—we find that some of them were among the 16 Mahajanapadas of the Buddhist texts. Most of these janapadas were once part of the territories of the Indo-Greek rulers and were brought into the imperial framework for the first time. 

 

           The Classical Age which was volume III in the BVB Sries frames the entire period as one of recovery and resurgence: recovery from the ravages of foreign invasions of the Greeks, Huns and others and the emergence of an indigenous polity that reunited and re gathered the territories traditionally regarded as part of Aryavartta, a concept explicitly mentioned in the Samudra Gupta Inscription. Lines 20 and 21 refer to dakshinapatha-raja and anek-aryyavartta-raja. These terms are mere geographical expressions and so it would be churlish to make them carry the burden of identity driven ideologically weaponized meaning. Importantly the Dharmasastra texts such as the Gautama text refers to Yavanas and this may give us an indication of the time or period in which it was composed. Patrick Olivelle dates the text to the third century BC and has identified the yavanas with the Greeks who formed part of the population of North West India.

  

    The creation of an intellectual structure to underpin an expanding political system was the achievement of the three centuries of Gupta rule. Sheldon Pollock has drawn attention to an important feature of the Gupta Period when he argued that the shift from Prakrit to Sanskrit as the preferred language of political communication and the deployment of kavya as the rhetorical trope for articulating issues of genealogy, descent, political ideology and social form are to be viewed as innovations introduced in the cultural milieu that created the Gupta Age. There is absolutely no suggestion that anywhere in the Series that the Gupto Epoch constituted a Golden Age and hence the invective directed against R C Majumdar and his work seems not only misplaced but tendentious.

 

            Just as the James Mill scheme of periodization, was at best a flicker in the long course of Colonial Historiography, the idea of a Golden Age too remains a convenient straw man against which the brave Don Quixote can lead their progressive charge.  The Dharmasastra texts as Oliville has argued are codifications not of ritual but of custom, acara, and historians who use the texts as sources of past practices are confusing theology with History. Therefore the entire construction of the Golden Age nostalgia attributed to some Historians is in reality a chimera as neither U N Ghoshal nor R C Majumdar have made such a claim.

 

Historical Change and Society

 

One of the most frustrating features of early Historiography of India is the vexed question of change in Society and Economy. Political change reflected in dynastic upheavals are clearly visible and hence provide a reliable chronological framework and this has been the scholarly practice in professional Historiography.  The Bharatiya Vidhya Bhavan Series follows the standard practice of using dynastic labels as markers of larger cultural and social transformations. This understanding of temporality is predicated on the assumption that while politics and military events bubble and froth at the surface there are deeper and profound forces at work that our sources tend to give at best a partial view. Therefore while the narrative informing the BVB Series is informed and structured by political events, there is certainly considerable discussion on the economic and social changes taking place beyond the political.

 

            Foreign invasion and its impact on India has been an important, almost a perennial theme of Indian Historical writing. Partly due to the fact that the past was viewed as a prologue to the National Movement which sought to create a united India without allowing identity divisions based on language and religion. Of course this pious hope was belied and Partition based on religious identity did happen and this reality has shaped Indian Historiography is a powerful way. The Indian National Movement was essentially a failure as it did not lead to a unified India and saw the triumph of identity based politics. The Bharatiya Vidya Bhavan Series was written under the shadow of those momentous cataclysmic developments that some have regarded as the substantial redemption of the credo of the Movement.

 

      It is possible to study each Volume in the Series and make a critical investigation of the characterization of indigenous society. In Struggle for Empire which covers the critical period from AD 1000 to AD 1300, there is considerable discussion on the Social reality prevalent in India, particularly North India during this period. There is neither glorification nor admiration for Indian social customs and the often repeated charge that the BVB Series is “communal” as it glorified Indian social practices stands refuted on the basis of the evidence presented in the book.

 

Temple Patronage, Violence and the State

 

The Bharatiya Vidya Bhavan Series was a pioneering attempt at re gathering the scattered strands of the Indian past and making it intelligible in an highly volatile atmosphere of Partition, State sponsored patronage of a usable Past, attempts at viewing the medieval period as an example of a “secular polity” and an assertion of identity politics based on language set forth by the Linguistic Reorganization of States in 1956. The Nehruvian State was actively promoting a version of Indian History which eventually became the orthodox view and was seldom challenged. The BVB stood as the lone outpost of a nuanced and balanced history which the Establishment decried and the Historical profession ignored.

 

                 Two examples may be cited to illustrate the contradictions inherent in the approach taken to the study of Indian history. The emphasis on State in the study of early India has led to the neglect of other institutions that were embedded in society. While Caste has received some attention, particularly as part of the larger agenda of identity and ideology infused studies, the religious institutions have not received adequate attention/

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