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Sunday, January 29, 2012

ROYAL IMAGERY AND NETWORKS OF POWER AT VIJAYANAGARA; A REVIEW

Royal Imagery and Networks of Power at Vijayanagara: A study of Kingship in South India
Dr Nalini Rao
NEW DELHI, 2010.

Vijayanagara kingship, the conceptual universe within which the rayas of Vijayanagara lived and expressed their ideas of politics and statecraft, remains an enigmatic subject. There is one basic reason for this: there are no contemporary histories or documents which reveal the strnads that constituted the complex fabric of political ideologies glossed under the rubric, kingship. Skinner has argued that it is possible to use what he calls the "intentional method" in order to unpack the linguistic conventions and ideologies which animate political action. The contextual approach favored by medieval western historians on the theme of statecraft does not find favor among historians of medieval South India, priamrily because bgoth the State and the ideologies underpinning it come prefigured in the package known as "Divine Kingship".For a variety of reasons, partly due to the heavy cloud of orientalism hanging on Indic studies, India kings and the normative vocabulary available for describing the actions of kings,are assimilated to notions of divinity,devaraja, rajadharma etc all of which assume an element of sacerdotal power as the constituent element of Indian kingship. Indian kings and their courtly prasasti composers have also conspired to create the image of divine king so beloved of Indian historiography. The genealogies of medieval kings is replete with references to almost every known puranic god who contibute in some measure in gining an air of royal mytique to the king.

Vijayanagara Empire, the last major political formation of Peninsular India before the advent of western military and economic hegemony, left behind a rich set of copper plate records and nearly 3,500 stone inscriptions along with a veritable treasure trove of sculptures, monumental architecture, and a magnificent royal capital--the City of Victory--all of which can be interogated for clues on the ever elusive conundrum of kingship. Nalini Rao has attempted just this in her recent book which is reviewed here.

The book under review essentially deals with the third dynasty and more particularly it centers on the reign of Krishnadevaraya (1509-1529). She surveys the urban context of Vijayangara on the basis of extant secondary sources. The well known visitors in the fifteenth and sixteenth centuries are referred and an attempt is made to identify the public buildings mentioned by early visitors with the archeological evidence which has become available over the past three decades thanks in part to the pioneering work done by thehistorians like M S Najaraja Rao and the achitectural team of George Michell and John Fritz. A question which the author does not raise, but is relevant to the theme of her book is: Why was there a shift from an aggressive Saiva religious cult to Vaishnava religious traditions during the sixteenth century. The legend of Pampakshtra with the marriage of Goddess Pampa to the god Virupaksha which figured prominently both in the local legends and inscriptions attests to the importance of Saivite cultic affiliations in the early history of Vijayanagara. However there seems to have been a shift to Vittala cult and prominent patronage to the Haridasa saits like Purandaradasa in the sixteenth century. A historian working on Vijayanagara kingship must explore this questions. Fortunately there is an unpublished Ph D dissertation which has gone into this question in a thorough manner.

Nalini Rao has drawn attention to 'royal portraits". The well known examples of Krishnadevaraya and his queens in Tirupathi and of the emperor at Chidambaram, Srisailam and Kanchipuram are discussed by the author. However, her discussion of mahanavami as a ritual expression of Vijayangara kingship is almost entirely based on Burton Stein's reconstruction which was published more than 30 years ago and the present author has not broken any new ground. Again her attempt to see kingship in terms of discrete topic like ( 1 )Heroic kingship ( 2) Liberal Kingship ( 3 ) Dharmic Kingship ( 4 ) Religious Kingship and ( 6 ) Ritual  Kingship is not very convincing as the rays of Vijayanagara themselves did not distinguish between these different fascets of their kingship. This can easily be proved by an examination of Krishnadevaraya's campaign against the Gajapathis of Orissa in which the king performed all these roles simulataneously and indeed one can say that the Eastern Campaign was more like a pilgrimage than a military adventure.

This work apprently is a Ph D thesis submitted to an American University and from my reading of the text did not find anything substantially new in this work. The inscriptional sources have not been used and even the literary sources are cited rather spottily. However, the photographs are excellent.

Tuesday, January 17, 2012

HISTORICAL MEMORY AND VIJAYANAGARA STATECRAFT; KRISHNADEVARAYA'S CAMPAINGS AGAINST THE GAJAPATIS OF ORISSA

The role of historical memory is providing the basis for political action has not been adequately been explored by historians. Recently, Trautman in an article published in the latest issue of Comaprative Studies in History and Society has even suggested that Western historical consciousness was predicated upon the idea of the state as the context for political and historiographical understanding of the past. In India, particularly in the post-Indepeendence era, history has become the handmaiden of various  kinds of identity based issues of language, region and caste. Vijayanagara history is burdened with the responsiblity of providing the muscle for 3 robust historiographical trends: first, it must "prove" that it is a "hindu" empire relentlessly espousing the cause of hindu "resistance" against the Islamic states of the Deccan. Second, the language based appropriation of Vijayangara entails the eternal conflict between the Telugu and Kannada scholars who cannot decide whet er the legacy of Vijayanagara, particularly of Krishnadevaraya, belongs to their respective linguistic zones. Finally, the caste equations come into play as the Vijayangara rulers came form a pastoral or hunting society of the Deccan. The patronage extended to the Vittala cult which was patronised by then Danghars suggests that the rulers of the Third Dynasty had some connection with the pastoral societies of the Western Deccan.

Unfortunately instead of analysing the Inscriptions carefully and diligently historians working on the history of Peninsular India,s last experiment in empire have allowed parochial identity issues to clutter the debate. Fortunately, Herman Kulke has shown that sage Vidyaranya and the legend of Vidyaranya was created in the post Talikota period in order to provide a sliver of grandeur to the memory of an empire which was devastated on the battlefield. Other problems also persist in the field of Vijayanagara history. I am particularly interested in one perennial proble. How is the historian to account for Krishnadeva Raya's magnificent obsession with the Gajapati rumers of Orissa. Recently I presented a paper in the International Seminar on Krishadevaraya and his Times: Cultural Perspectives which was hosted by the K R Cama Oriental Research Institute, Mumbai. I showed in thsat paper that Krishadevaraya was concerend with the Gajapatis primarilty due to the fact that under Kapilendrda, the Gajapati usurper, the territories around Devikapurma in Tamil Nadu were devastated during the Oddiya kalabai as the period of Kapilenda's invasion is termed in the inscription of the time. Krishadevaraya prodly proclaimed the "defeat' of the Gajapatis in his very first coronation inscription found in the Virupaksha Temple at Hampi. We know from other historical sources that the emperor was inviolved with the affairs of the the Western coast during 1509-10 and he was nowhere near Orissa during then initial years of his reign. Only in 1513 do we find references to the campaign against the Gajapati and more frequently we find the tern "elephant hunt" in his inscription whci could mean rivalry with the Orissan rulers.

The caputre of Udayagiri and the transfer oof the image of Balakrihna from Udayagiri to the Krishna Temple constructed at Hampi suggets that Krishadevaraya was interested in creating a memorial for the campaign and ensured that the memory of the Camapign survived. Out of the 7 visits to Tirupathi Temple performed by the Vijayanagara emperor 4 were after the camapign agasinst thew Gajapti. It appears that even Vyasaraja mentions the removal of Balakrisna from Udayagiri and his arrival in Hampi.

Given the facts it is likely that all the 3 or 4 campaigns against the Gajapatis were motivated by the ambition to expunge the memory of the existential threat posed by the Gajapatis to the Vijayanagara state. Moreover, the Saluvas who faced the brunt of the Gajapati force had Narasa Nayaka the father of Krishnadevaraya as their general and it was around Devikapurma that much of the damge was donwe.

Sunday, December 25, 2011

South India under the Cholas by Y Subbarayalu, A Review

Medieval South Indian history has attracted a good deal of attention since 1980 when Burton Stein published his monumental work, Peasant State and Society in Medieval Soutn India. The agenda set forth by him revolved around the nature of state formation and the processes, both economic and political that resulted in the rise of the Chola state in the Kaveri region from the middle of the ninth century onwards. Burton Stein painted the broad historical canvass and subsequently we have the work of Noboru Karashima and now the book by Y Subbarayalu. When Stein's work first appeared, more than 3 decades back he was soundly criticised for suggesting that the Chola state was not a centralised bureaucracy. Now after nearly 3 decades historians have finally began to realise that given the material conditions existing in the medieval period and the complex distribution of Land rights, it would have been impossible for the Chola state to acquire the trappings of a bureaucratic state.

Karashima inaugurated a new trend in reconstructing the South Indian past by looking intensely at localities--nadu units-- on the basis of the epigraphic sources. Unlike Stein who relied mostly on published inscriptions, Karashiam and his group worked with inscriptions. The terms which appear in the records are assembled in time series and the statistical and geographical distribution of the terms, particularly revenue terms, are studies. Thus, Karashima was among the first historians to suggest that the political and social structure of the dry regions was different than that which existed in the riverine areas. The method of studying the inscriptions to the neglect of other sources has led to a heated debate between Sanjay Subramaniam and Noboru Karashima. While David Shulaman, Sanjay Subramaniam and Velcheru Narayana  Rao depend more on the written "histories" collected by Colin Mackenzie, Karashima and his group treat the manuscript sources with a faint contemt as they are totally unrelaiable and project the aspirations of social groups which were ostling for power in the Peninsula in the early modern period.

Y Subbarayalu whose Political Geography of the Chola Country is the only indepth study of the settlement pattern and social geography of the eleventh centry has now collected his papers in the volume under review. Those who are familiar with Kaveri and Studies on the Cholas will find some of these papers in this book. However, the book brings together the important contributions made by Subbarayalu over the years. The trade guilds have been studies very closely and Subbarayalu does break new ground in the study of the Tamil inscription found in south east Asia. Though only 6 Tamil inscriptions have been found, ranging in dates from the 7th century till the 14th century, historians have waxed eloquently on Tamil participation in the trade with Sumatra and the rest of Srivijaya. Subbarayalu's study of the Barus epigraph from Sumatra is interesting and well argued. His study of the Pulankurrichi inscriptions is certainly a worth wile contribution as he explicitly rejects the use of the unreliable and mistakenly labelled" Sangam literature" as the basis for dating the earliest record giving details of the land structure in the dry regions of the Pandyan territory. Another interesting finding which needs to be considered is the fact that after a detailed study of the personal names found in Chola records, Subbarayalu finds that only 7% of the "officers" of the Chola state came from this social group. It has become the grist to the mill of Tamil historiography to date "Brahman domination" to the patronage extended to the Brahmans by the medieval rulers. Such important contributions from a historian of the integrity of Subbaraylu will certainly influence public debate on the politically concenient myth of Bbrahmin domination". I would like to point out that Karashima was the first to point out that non-barhman villages called UR practiced social exclusion as there is mention of tindachcheri in inscriptions.

The resource base of the medieval state is always an interesting issue. Earlier historians had maintained that the level of taxation was rather high and with the grant of sarvamanya iraiyilli status to more and more villages as they came under the control of temples. Subbarayalu's work has hepled us understand a few extremely difficult questions. Was taxation done on the basis of productivity of the land or the extent of the land under cultivation.

Oxford University Press, New Delhi, has brought out an important work and has done historians of the medieval period a great deal of service by bringing out the papers of Subbarayalu in an attractive manner. An important aspect of the book is the maps.

Monday, October 3, 2011

William Fullarton in the Coromandel and Trinidad; Connected Histories, Disconnected Lives


Introduction: Historiographical perspectives



This paper builds on the insight provided by Sir V S Naipaul in his Loss of Eldorado: A Colonial History. A novelist, and a Nobel Prize Winner in Literature, V S Naipaul dredged the colonial archives to uncover and chronicles the history of Trinidad from 1595 when the island was “discovered” by Sir Walter Raleigh, the Elizabethan adventurer and the seizure of the island from Spain in 1797 which paved the way for the island’s integration into the British Empire. The two moments when history touched the Island, as Naipaul states was when it was discovered and later when the English seized it thereby transforming Trinidad from a precarious lair for the pirates of the Caribbean to a plantation economy founded on the cultivation and export of sugar, rum, molasses and the like. The presence of slavery in the island and the widespread use of slave labor in the plantation economies of the Americas linked the political economy of the Caribbean island to a global economy based on the exchange of West Indian sugar for Tea and Porcelain from China and of course it also provided the financial muscle for the export of cotton from India.



In this paper we analyze the life and career of William Fullarton (1754-1808). V S Naipaul in the book cited above has documented in great detail one episode in the life of Fullarton in Trinidad. When appointed First Commissioner by Lord Hobart to administer Trinidad in 1803, Fullarton brought with him years of experienced soldiering in the southern part of the then Madras Presidency. He was actively involved in carrying out the policy of pacifying the Marava territories of Tinnevelly and his campaign against the Palaiyakarar of Pachalamkurrichi, the famous Kattabomman is well known to historians of Southern India. In Trinidad, William Fullarton earned some credit for himself and of course, incurred the enduring hostility of the white slave owning population by making mild attempts at reforming the horrors of plantation slavery. V S Naipaul has drawn attention to the campaign launched by William Fullarton to bring his own Second Commissioner Thomas Picton to justice for having severely tortured a slave mullato girl, Louisa Calderon Of course, this particular episode has evoked considerable attention as it provides all the ingredients for a truly rich banquet for a post-colonial auto de Faye: A slave girl of vulnerable circumstances, a powerful white slave owner and politically connected planter, a fairly well documented body of legal and forensic evidence for a thick description of the erotic of torture, and one must add that the Foucouldian brew of gendered violence, orientalist constructions of power and the theatre of sexual violence staged on the body of a non-white, marginalized complete with contemporary woodcut illustrations are all there in good measure.



Historiography of the early empire is essentially characterized by two distinct trends. On the one hand we have the early imperial historians whose work is marked by a large degree of triumphalism, a celebration as it were of the glories of imperial rule. Niall Ferguson in his recent work has shown a marked sympathy for this approach to history as he believes that imperial rule hastened the development of societies though he does not negate the human costs involved in such development. The nationalist historians have had to use the past to inscribe their nations into the tableaux of modernity and they do this by ascribing a spurious nationalism or proto-nationalism to the political and military encounters between the early trading companies and the resistance that was encountered. Ascription of a political agency to the spiral of rural and agrarian revolts resulted in a historiography in which the Manichean distinction between the “evil imperialist” and the “good native” became the template for the kind of history the heady days of nationalism demanded and which in post colonial times served to legitimize the nation state. The Oxford History of the British Empire barely acknowledges the structures and processes within which the events unfolded. The reason for this situation is not difficult to fathom: the documentary basis on which historians rely is still the same records of the European trading companies, letters of soldiers and administrators, memoirs and travel narratives, all of which come with a preconfigured version of the events they purport to describe.



Historians have moved away from the triumphal mode of representing the creation of empire which was the narrative trope of imperial history associated with J B Seeley. Decolonization brought in its wake another kind of historiography; a retrospective validation of national identities. The Oxford History of the British Empire already alluded to while avoiding the excesses of post colonialism frames the histories of what was the British Empire strictly within the geographical horizons and limits of the national entities that were spawned by the end of the imperial era after World War II. One consequence of this method has been the neglect the role of individuals, personalities, ideas and the intellectual and cultural cross currents as personalities as divers as missionaries, sailors, soldiers, merchants and administrators circulated in the vast expanse that was opened up in the late eighteenth century. Thus, the person who we are analyzing in this paper, William Fullarton brought to Trinidad the experience he had gained in the Coromandel and hence a profitable way of looking at the past would be to situate the individual biography within the larger context of global and world history. The biographical method has been used by some historians notably Maya Jasonoff and Linda Cooley. Both the historians concern themselves with the self-fashioning of individual identity by participating in military campaigns or through the experience of captivity. This approach studies the images, symbols and ideologies found in the personal narratives of soldiers, seamen, adventurers and their ilk but hard historical realities are skirted. The post-colonial strategies of “reading the past” associated with Edward Said does not really help liberate historiography from the racial myths and stereotypes that are embedded in the texts. Further by foregrounding the privileged position of the interpreter, Said and his post-colonial cohorts return historiography back to the paradox of power, the very trope from which post-colonial theory wants to discard or negate. Hence a new point of departure is needed and a new perspective is called for which help in the reconstruction of the complex pattern of interaction between the early participants in the micro universe of empire building and the social, cultural and intellectual universe in which they lived and played out their lives.



II



William Fullarton: A Brief Biography



Historians working on the early history of the East India Company in southern India have tended to be insensitive to the fact that the Act of Union, 1707, put an end to the Stuart dynasty and Scotland was brought into the political ambit of a greater England or Britain. It may be said that the expansion of England into an empire began with the conquest of Ireland in 1677 by Oliver Cromwell, the Lord Protector. Irish and Scottish men belonging to the lesser gentry, eager for social and economic advancement sought employment overseas, and thus the East India Company became the favored destination. It is not an accident that the most notable figures in the early conquest of Southern India were Scots such as Sir Thomas Munro, Grant Duff, Mark Wilks and Elphistone.



William Fullarton was born on January 12th 1754. Though his identity personal and social remained resolutely Scottish, Fullarton was of Anglo-Saxon ancestry. He was educated at the University of Edinburgh which formed an important center of the Scottish Enlightenment along with Aberdeen and Glasgow. He may have had Jacobite sympathies and Fullarton’s writings display a keen awareness of issues that stem from the political and intellectual agenda of the Scottish Enlightenment. It may be argued that the scathing attack launched by Fullarton on the administrative and political policies of the East India Company and his campaign against the savage ill treatment of African slaves in the sugar plantations of Trinidad stemmed from the understanding that oppression was the result of executive and judicial powers being concentrated in the hands of the same individual or institution. In his book, A View of English Interests in India, Fullarton was vehement in his condemnation of the rapacity and corruption of the Company and its administration in India, particularly in the southern region. In Madras Presidency the arrest, deposition and subsequent death in prison of the Governor George Pigot was a striking example of the Company style of governance. In Trinidad, Fullarton opposed the regime of cruel and violent floggings and mutilations that the plantation slaves had to endure. Here again Fullarton was motivated by a vague sense of revulsion at the treatment meted out to the slaves. V S Naipaul frames the conflict between Thomas Picton and William Fullarton on the Louisa Calderon controversy which became a cause celebre in Georgian England as a personality conflict thereby ignoring the larger historical and ideological questions that invariably arise in such debates.



After his early education at the University of Edinburgh, Fullarton set off on a tour of Europe with a short visit to Malta. In 1775, his fluency in French secured him the first of many official positions. He became principal secretary to Lord Stormont at the British Embassy in Paris. In 1780 he drew up ambitious plans for an invasion of Mexico, an overseas venture that sought to seize Mexico from Spain. On his own initiative, Fullarton raised a battalion of infantrymen, perhaps from among his own tenants as, Otto Trevalyn humorously put it. He goes on to suggest that this display of patriotism brought Fullarton a rank in the British Army and he arrived in Madras in 1782 a Lt. Colonel. He took part in the war against Hyder Ali and Tippu Sultan and campaigned extensively in Tinevelly region against the palaiyakaras. In 1783 he was designated by Lord Macartney, the Governor of Fort St George, the Commander of the Southern Army, a title that he displayed very prominently on the title page of his book.



Col William Fullarton participated in several campaigns against Mysore kingdom and the warrior chieftains of the Tinnevelly region. Records of the East India Company contain references to armed conflict between the forces of the Company and the remnants of the Vijayanagara political order who surfaced in the eighteenth century as palaiyakarars or polygars. The Madras Army was largely drawn from the peasantry from the dry region of Peninsular India. In the Tinnevelly region the forces had to content with groups of Colleries or Kallars who formed the mainstay of the armed “peons” of the polygars. The historical process by which the palaiyakarars emerged as superior holders of agrarian and political rights is documented in the genealogical records collected by Colin Mackenzie. The Telugu warrior chieftains asserted their hegemony in the turbulent decades after the collapse of the Nayaka kingdom of Madurai in the early eighteenth century, and they declared themselves the inheritors of the sovereignty of the Madurai nayakdom. The host of petty chieftains and principalities which were distributed between three distinct ethnic groups (1) the Maravar (2) the Kallar and (3) the Kamballattar formed a dynamic social and political space in which contests for agrarian and socio-political space were formulated in the language of rights representing privileged land holding. Thus the breakup of the nayaka domain set the stage for conflicting visions of state, polity, property and legitimacy between contending forces.



William Fullarton had a distinguished career even after he left India. As a Member of Parliament for Ayrshire, he spoke in the debates on India and was an active protagonist along with Edmund Burke for the impeachment of Warren Hastings. An ardent and enthusiastic supporter of Lord North, Fullarton called for the impeachment of Sir Elijah Impey, the Chief Justice of India whose judgment in the Nanda Kumar case sealed his fate. Though not as eloquent a speaker like Burke, Fullarton spoke out against the excesses of the Comapany. In 1798 he published An Account of the County of Ayr with Observations on the Means of Improvement. In 1802 Col William Fullarton was appointed First Commissioner in Trinidad, a position in which he had to share power with Thomas Picton, the Governor appointed by Ralph Abercrombie who was responsible for seizing the island from Spain. Samuel Hood was the Third Commissioner. This ill defined Commission, two of whose members were deeply involved in the plantation economy with extensive West Indian sugar interests, was riven with contradictions—a disaster waiting to unfold.



Thomas Picton the erstwhile Governor of Trinidad has a curious place in history. His heroic death on the battlefield of Waterloo in 1815 made his the highest ranking officer to be killed in the battle. However, the relationship between Picton and Fullarton through the two years form 1801 to 1803 remained tense culminating in charges being brought against Picton that he was directly involved in the torture and physical abuse of Louisa Calerdon. Picton defended himself saying that the laws of Spain sanctioned the torture of slaves, a legal quibble that did not find resonance in the courts. However the fact that the expansion into and conquest of new territories created legal and judicial ambiguities in which different conceptions of legality and legal structures clashed and collided with each other. The Trinidad over which Fullarton was sent to administer was a violent slave owning society in which 94% of the population consisted of enslaved Africans who were made to work in the sugar plantations. Control over the servile population was maintained by a brutal regime of floggings and mutilations, which were sanctioned by law and colonial custom. The military remained the instrument through which the enslaved population was kept under check. William Fullarton was not an abolitionist, though the campaign for abolition of slave trade had begun and Edmund Burke himself was a firm abolitionist. The very first official action by William Fullarton was to issue a proclamation forbidding harsh and brutal treatment of slaves. The white slave owning planters felt that any relaxation in the regime of brutal violence would be interpreted as weakness and an encouragement for rebellion. In 1834 the Tacky’s Rebellion was put down in the most severe manner. Thomas Picton was the first to protest against the weakening of the the planter’s corporeal power over the slaves. As the military force reported directly to Thomas Picton, the First Commissioner found himself stymied right from the start.




William Fullarton himself was no stranger to military indiscipline. He was appointed the Commander of the Southern Army that was detailed to put an end to the insurrection of the palaiyakakars in the deep south. His determined campaign against Panjalankurrichi resulted in Kattaboman abandoning the fort leaving behind a treasure of 46,000 star pagodas. As Fullarton recorded,“the breach was covered with dead bodies, and the place contained a large assortment of guns, powder, shot, arms and other military stores”. His next target was the palaikakarar of Sivagiri, an ally of Kattabomman. The chieftain took refuge in the mountain redoubt (the Kombi) and Fullarton succeeded in capturing what he himself termed “a wonderful recess”. After capturing Sivigiri, Fullarton secured the submission of the palaiyakarars of Madurai, from where he proceeded to Palghatcherry which was being besieged by the forces of the Mysore kingdom. The capture of Palgatcherry resulted in a capture of 50,000 star pagodas and this sum of money was distributed amongst the troops who were in arrears of pay for nearly 12 months.



It was during the campaign against Palgatcherry that Fullarton had a major disagreement with Lord Macartney who wanted the Colonel to abandon the fortress of Satyamangalam and hand over all the fortresses seized from the Mysore Kingdom back to Tippu Sultan as per the terms of the recently concluded peace treaty. Fullarton demurred as he felt that giving up the strategic forts located on the borders of the Mysore kingdom would jeopardize the security of the Baramahal region. Fullarton withdrew only after written instructions were received from Fort Saint George. Military historians point out that this was a major instance of disagreement between the civil and military leadership. His return march resulted in the capture of Palani and Virupatchi. In the treaty between the East India Company and Tippu Sultan signed on March 11th 1784 all territories seized from Mysore were given up except Dindigul and Cannanore which was handed over to Bombay Presidency.



The relationship between the English troops seconded to the army of the East India Company and its own regular recruits has always been uneasy and in 1809 it erupted into mutiny that was suppressed with considerable effort. In Trinidad, Thomas Picton was loathe yielding command to William Fullarton and as the personal relationship between the two cracked up; letters flew fast and thick to London complaining about the lack of cooperation from the Second Commissioner. On May 23rd 1803, Fullarton wrote to the colonial office complaining that Picton was using his troops to “subvert the government”. He went on to say that the Second Commissioner had instructed his troops not to “assist Civil Power” without the “specific order” from him. Fullarton went on to complain that the troops were being used by General Picton “for torturing, hanging, shooting and burning men without trial”. The justification for Fullerton’s written complaint against Picton can be seen in the exquisite tautology which he invoked in the same document: It is fully established that no illegal order can be legally obeyed. One may say that in the creation of the empire such conflicts that skirted the grey areas between the legal and the illegal, between lawful authority and unlawful usurpation, and between personal choice and institutional force were present in ample measure. In the new kind of history that we are attempting herein, history is seen both in its contingent as well as its structural aspects.



The final dénouement was in the charge that Thomas Picton had Louisa Calerdon tortured. This sensational charge compelled the government of the day to try Thomas Picton and the trial was as much in the London courts as it was a trial in the media. Public opinion was polarized between the advocates of the innocence of Picton and those who believed that the honour of the realm has been outraged by his actions. The sensational trial ended in the acquittal of Thomas Picton. The Louisa Calerdon episode highlights the fact that there were serious difficulties in conceptualizing “empire” as a legal entity.



III



Sovereignty, Rule of Law and Violence



The advent of the East India Company in peninsular India and its dramatic transformation into a sovereign power with widespread territorial reach and interests has been a subject of endless research and interpretation. The impeachment of Warren Hastings is symptomatic of the unease in ruling class of England of a trading corporation which derived its authority from a royal charter, arrogating to itself the symbols and dignity of a sovereign entity. Nicholas Dirks, in his Scandal of Empire has placed the entire sequence of events leading to the hegemony of the Company as a montage of violence, scandal and oppression:



What was supposed to have been a trading company with

an eastern monopoly vested by Parliament had become a rogue

state: waging war, administering justice, minting coin and

collecting revenue over Indian territory.



The East India Company certainly did not see itself as a “rogue state”.

Of course it did exercise a bundle of rights associated with sovereignty. Edmund Burke, the relentless crusader against the Company, warned that the East India Company run on public credit drawn from the moneyed and propertied classes, was behaving with reckless arrogance against the “natives”. William Fullarton too was critical of the manner in which a “private merchant” grew into a powerful sovereign with armed might under its direct command. The debates in the House of Commons on the legal status of the East India Company involved differing perceptions of what constituted sovereignty—people’s sovereignty represented by Parliament or the Crown.



The vibrant internal debates within the ruling circles of the East India Company, a circle which was deeply implicated in the politics of late eighteenth century England, as Lucy Sutherland demonstrated more than fifty years ago, has not been adequately analyzed by historians. The soldiers, administrators, even merchants wrote of their experiences in India and there seems there was a steady market for journals and books written by India hands. William Fullerton’s personal narrative entitled A View of English Interests in India which was published in 1797 is a reflection on his military experiences in which he also provided a critique of the functioning of the Company administration in India after the Regulating Act of 1773.



Fullarton’s narrative covers the period from 1782 to 1784 when the southern region came under the Board of Assigned Revenue under the supervision of Irwin. Since revenue collection was based on a presumed transfer of sovereignty, the question of the legal and judicially enforceable right of revenue became relevant. The conquest of India by the Company was predicated upon statecraft combined with superior military and organizational skill, and this aspect has been widely commented upon in the historiography. However, less salience has been placed on the refrain commonly found in early records that the Company’s rights in India, particularly its revenue rights, were acquired through legal treaties with the Mughal emperor or his surrogate such as the Nizam or the Nawab of Carnatic. Questions of sovereignty and the Company’s political stance towards Indian states caught between rival powers arose in the context of Tanjavur. Setting aside the deposition of the Raja of Tanjavur, the Maratha price Tullaji, the Board of Control showed a rare sensitivity to the sovereignty of Indian rulers. Indeed even when the Peace Treaty of Paris in 1763, the sovereignty of the Nawab of Carnatic was recognized, causing considerable unease in Fort St. George. William Fullarton observed:



The nawab and all other native princes were perplexed.

They had been taught that in the Company was vested

the supreme authority of England, as far as respected India-

that no other power had any other right of interference

there. Now they were told, the Company is nothing more

than a private body of merchants, without consequence or

consideration.



This apparent paradox between the politic0-military hegemony of the East India Company and its slender legal and judicial legitimacy made Fort Saint George craft policies which aimed at vigorous and, at times, spectacular reaffirmations of the sovereign claims of the Company. Fullarton justified the Company’s sovereign claims over the Raja of Tanjavur by stating that the Raja had “not exercised the right of coining pagodas, and of late has paid his tribute in fannams”. The real motive behind the interest of the Company lay in securing the cash rich kingdom of Tanjavur and use its revenue to settle the debts accumulated by the Carnatic Nawab. And again it was the same interest that brought the Nawab and the Company together in the southern region when the peshkush or tribute was assigned to the Company by the Nawab in 1781.



George Pigot, the Governor of Madras, by following the policyof restoration of the Raja of Tanjavur as proposed by the Board of Control, unwittingly opened the tangled web of financial claims, revenue charges,sovereign taxation.

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Tuesday, July 5, 2011

PADMANABHA TEMPLE TREASURE TROVE; A HISTORIOGRAPHICAL INQUIRY

The discovery of the secret ante chambers in the Temple of Padmanabhaswamy in Trivandrum has raised a question long forgotten in Indian historiography: the untold wealth contained in temples. The chroniclers of the Delhi Sultanate while describing the forays of Malik Kafur and Ulugh Khan, give graphic accounts f the wealth plundered from temples. Since the Hindu identity is essentially a colonial construct let me say that temples affiliated to Saiva, Jaina and Vishnu sects were raided for the wealth they possessed. In most case the contemporary accounts seem to stretch the limits of credulity so much that it even became a cliche to say that "plunder" was one of the paths towards state formation.  The deicovero of nearly 100,000 crore rupees worth of wealth in the Padmanaba Swamy temple finally puts paid to the notion that temple wealth was only a "figure of speech". As Romila Thapar has shown in her Many Voices of Somnath, temple wealth garnered from the rich jain merchants of the Gulf of Cambay proved to be a loadstone for Muhamad of Ghzni. In fact so much wealth came into the hands of the Ghanavid rulers that they were able to strike gold coins, the source of which was undoubtedly the plunder from Gujarat. In recent years the historiographical practice whle dealing with instances of medieval plunder, as demonstrated by Richard Eaton, is to establish a moral eqivalence between Turkish and non-Turkish acts of plunder in India. A notable example comes to my mind. When Krishnadevaraya (15091529) invaded Udayagiri during his 1517 campaigns againsy the Gajapathis of Orissa, he brought back the image of Balarama and cremoniously installed it in the Krishaswamy temple that he had constructed in the capital, Vijayanagara. It is obvious that the cultural and historical contexts of the two distinct situations have to be borne in mnd.

The state of Travancore nesteled in the southern most tip of the South Indian Peninsula has had a long history of warfare and territorial rivalry between the Panduyan kings and the rulers of the coastal states of the Kerala coast. Vanji, the hill fortress located in the territory of the Travsncore kingdom was a much sought after prize throughout the medieval period. In fact, the rulers of Travancore, like their rivals in Mysore sought to professionalise the army, military and tax collection quite early. M S S Pandian's study of Nanchil Nadu demonstrates clearly that strong rulers like Marthandavarman organised tax collection and revenue mechanisms in the paddy growing areas and brought in labour from the dry regions of the Tamil country. There is no doubt that the wealth represented in the Padmanaba Swamy Temple came from the revenue farming and tax collection measures instituted by the emerging military and tribute gathering states of the late seventeenth and eighteenth century.

The legal debate over the "ownership" of temple property is as old as the temple itself. The  Scottish soldier administrators who were primarily responsible or the conquest of Southern India for the English East India Company believed in the sanctity of private property and were quite aghast at the fact that temple held huge parcels of land and movable and immovable wealth. The Anglo-Saxon law as administered in India created the fiction of "juristic person" in order to deal with the deity as a legal entity. The concept of the deity having a juristic personality has been recognised by several judgements both during the pre-Independence period and in court pronouncements later. In the case of the Padmanabha Swamy Temple, the political theory woven by the rulers of Travancore, suggested that the real king was the Deity lodged in the Temple while the King acted as his deputy. As  LEGITIMISING STRATEGY,this late medieval innovation vested political power in the hands of the king/raja while distancing him from the pulls and pressures of court politics. The little kingdom of Travancore was certainly culturally richer than the little kingdom of Puddukkottai about which we know so much thanks to the work of Nicholas Dirks. The Travancore model of kingship avoided the perils of kin based polities which were inherently unstable and prone to debilitating factional and ritual conflicts. Travancore success as a princely state may be attributed to the stability engendered by the novel theory of kingship and its institutional practice as is empirically proved by the fabulous wealth discovered recently.

If the Deity is the real owner of the wealth with custodial authority in the hands of the royal family then it is clear that the Government cannot take over the Treasure under any of its enabling acts. The Treasure Trove Act cannot be invoked in this case as the treasure was discovered in the temple complex. The ruling family has shown itself to be loyal custodians of the wealth, something that the Archaeological Survey of India can never claim. The various instruments of accession signed between the princely states and the successor government to the British Raj made clear distinction between State/Crown property and personal wealth. In the case of the Padmanabha Swamy Temple the wealth belonged to the Deity and therefore no Government can have the right to liqudate it as use it as it pleases. The case of the Nizam of Hyderabad comes to my mind while trying to understand the legal aspects of the Treasure Trove.

Recently a historian raked up the issue of the Temple hoarding "peoples'" wealth and therefore he said that the wealth had to be returned to the people. Such abstractions as General Will and People are not the basis for taking any decision which is historically and legally complex as the wealth of the temple.

Monday, October 11, 2010

State, Society and Temple in Early Medieval South India: A Historiographical Critique

Let me, first of all thank the Executive Committee members of the Tamil Nadu History Congress for having elected me to preside over the historiography section of its annual conference. I deem it a great honor to accept this task as medieval history of South India has emerged as one of the most important and intellectually vibrant fields of medieval research. I was initiated into the field of medieval South Indian history by Professor Burton Stein at the University of Hawaii more than 3 decades back and this Presidential Address gives me an opportunity to reflect upon the changes that have taken place in the theory and practice of medieval history of Peninsular India. As a historian, my researches have focused on Vijaynagara history, but have chosen to speak on the historiography of the Cholas for two reasons. First, a critical understanding of the Chola period is of vital importance in order to understand the contours of social and economic change during the Vijayanagara and subsequent periods. Second, many of the concerns in the field of medieval history such as the nature of power relations within the structure of the state, role of kinship in the construction of political relations, land and landed groups in the agrarian order, and the growth of urban centers and trading networks across India and the Indian Ocean region which dominate the historiography of medieval India, were first debated and discussed in the specific context of South India.



Starting with the publication of the Cholas by Nilakanta Sastri in 1955 till 1980 when Burton Stein published his Peasant State and Society in Medieval South India the study of medieval history was dominated by questions relating to state formation and the characterization of the medieval state. Since then the agenda of historians has become more eclectic with other issues such as the land tenure, community and caste formation, social groups and their mutual interactions, historical geography, and craft production taking the centre stage. Artisans such as the weavers, goldsmiths, carpenters, and peasant groups like the nattar and uravar are all being studied in order to determine the main contours of social change during the medieval period. Vijaya Ramaswamy’s Textiles and Weavers in Medieval South India made a very credible start when she demonstrated that the increase in the rate and pace of temple patronage by weavers starting from the middle of the 13th century presupposed an upward economic and social mobility.

The conceptual frame work within which some of the recent work is being written is worthy of attention: social history and its manifestation in the realm of politics especially within the rarefied arena of temple patronage is seen form the standpoint that power does not reside in any one particular locus or institution but is defused throughout society. Such a perspective enables the historians to study the state in the medieval period not as an institution standing outside of society, but rather as a field within which multiple claims of power and hierarchy is negotiated

In the new work that has emerged over the last two decades new questions and with them new methods of studying the past have appeared. The debate between Sanjay Subrahramanyan and Noboru Karashima over the use of the Mackenzie Manuscripts as a source for the reconstruction of the medieval past is just one of several interesting issues confronting the historian. Should medieval texts, be they written on stone, copper plates or the more conventional literary works be treated as repositories of facts that yield their unmediated truth to the interrogation of the historian or should they be viewed as constructs embodying the perceptions, sensibilities and of course, the distortions of class, power relations and social aspirations. The Satakam literature of the seventeenth and eighteenth century though rich in historical detail is often inflected with the social realities of the time. David Shulman in his excellent, but unfortunately neglected King and Clown in South India Myth and Poetry has shown that medieval religious Tamil texts inclusive of a wide range of genres yield insight into the nature and purpose of warfare and state sponsored violence in the medieval period. Thus, Jayankondar in his Kalingatthuparani, argues David Shulman provides a “profoundly un innocent” view of warfare in which, like the inherently unstable and dynamic “segmentary state” of Burton Stein, Shulman to sees Chola warfare as a “symbolic activity in which the unwieldy and disharmonious fragments of the kingdom combine in a moment of institutionalized breakdown and release”. In fact the very similarity between the anthologies of war in the puram genre of poetry and its echoes in the parani poems like the one we have mentioned raises serious questions about the survival of historical memory well into the early medieval period and thereby suggesting new venues of research for the redaction of the early heroic poetry. This point can be investigated further as Jayankondar begins with a description of the palai which is said to have been inhabited by a fierce goddess, perhaps the Korravai of the early period but now in the iconographic form of Durga, and the ensuing feast provided by the blood and gore of battle. Therefore a study of Chola kingship keeping both the dated literature and the inscriptions, particularly the copper plate records provide us valuable insight into the nature of Chola kingship and its practice in medieval South India.


An interesting avenue of investigation into the medieval past has been ushered in by Daud Ali who in recent years has emerged as a critique of existing interpretations. Taking his cue from Hayden White, La Capra, and to an extent Edward Said, Daud Ali has studied medieval Chola copper plate records as a variety or trope of historiography.

Rather than seeing such records only as unmediated facts that are available to the historian in a non problematic manner, Ali states that the construction and rhetorical apparatus of Chola Copper Plate inscriptions reveal a concern with the past and its representation in a form that appropriates the puranic genre in order to fashion an image of the past and this practice is consistent with modern understandings of historical texts being inflected with the concerns of the present.


Thus by the analyzing the Triuvalankadu Copper Plate Inscription issued in the 6th regnal year of Rajendra I, Daud Ali shows that such documents while encapsulating a notion of history also served to legitimize the claims of Rajendra I to the Chola throne, especially in view of the recent past of the Chola lineage. The bi-lingual nature of the record in that it was composed in both Tamil and Sanskrit serves to locate the kept pace with the kavya modes of political expression as suggested by Sheldon Pollock in his masterpiece Language of the Gods in the World of Men. Sheldon Pollock recognizes the significance and importance of Rajaraja I’s intervention in the codification of the Tevaram in the following manner: “In the eleventh century under the aegis Chola inscriptional firmly with the “Sanskrit Cosmopolis” in which the vernacular of Rajaraja Chola the Bhakti poems of the Thevaram were said to have been assembled-- after having being discovered in the great temple at Chidambaram—and were incorporated in the newly formalized Temple liturgies” (Pollock 2006: p. 383).

The Royal Temple – Brihadesvara .-- constructed by Rajaraja-I in his 25th regnal year has challenged the combined ingenuity of historians, epigraphists and interpreters of religious texts and ritual manuals. It is not difficult to see the reasons for the unending publicity which this particular monument evokes.

Its very name encapsulates an enigma. Rajarajeswara was meant by the double-entendre to refer both to the king and deity. Yet paradoxically the king called himself, sivapada sekhara, ornament at the feet of Siva. Its monumental proportions made some scholars argue that it was an edifice erected to glorify the king as devaraja or god king. A few scholars have even scanned the serried sculptures of the temple in order to identify the statue of the royal patron, the king himself. Recent historians writing under the shadow of post-colonial constructs of South Indian States as “segmentary states” have found in the very architecture of the Rajarajesvara Temple the substance of sacred kingship with the temple acting as the earthy anchor or axis mundi connecting the heavens to the royal house. The suggestion that the temple of Rajaraja’s imagination was a pallippadai shrine has been used to reinforce the sacred character of the royal patron and his artistic creation. All these different interpretations crowd the historiographical space in which the great temple of Rajaraja-I has been located.

In this presentation we attempt a reading of the temple from different perspective. At the most simple axiomatic level, the great temple like any historical artifact has a definite location in time and space. Therefore we examine the monument from the point of view of the political and intellectual cross currents that played themselves out during the reign of Rajaraja-I. This attempt at historizing the construction and patronage of the temple is premised on the assumption that the royal decision to invest labour and resources in the construction of the large stone temple would necessarily, be informed by political considerations. In this context we argue that Chola succession pattern undewent a significant shift from the time of Rajaraja-I, and the main purpose of the shrine was to provide legitimacy to the patrilineal lineage segment with Rajaraja-I and his immediate direct successors being regarded as the true legatees of the Chola throne(Raghotham: 1997). We may see the construction of the great temple as a device for the establishment of the immediate descent group of Rajaraja-I as the true Chola lineage. Temple construction was therefore a strategy for the projection of the royal lineage with Rajaraja as the prime focus. The historical moment when the Cholas,a precariously situated chieftaincy, located in the Kaveri River Basin was transformed into an imperial power, occurred after the accession of Rajaraja-I in A.D. 985. Given the military campaigns, monumental architecture, literary accomplishments and economic vitality of the age, it is little wonder that historians have viewed Chola history as destiny. Consequently the specific context in which important historical events took place is not given the importance they deserve.

There is a second dimension to the analysis offered here. We argue that the influence of various competing schools of Saivism is found in the art, sculpture and iconography of the great temple. While the codification of Saiva Siddhantha was achieved only towards the end of the Chola period, the iconographic programme and the architectural disposition of the various sub shrines in the temple complex suggests a textual source as the origin of this great monument. An attempt is made to suggest a possible source. K.A.N.Sastri in his magnum opus – The Cholas-- made pertinent observation when he drew attention to the lack of any hint of sanctity associated with the site of the great temple. The temple was altogether a creation Rajaraja’s policy.



                                                              The Historical Context

 

The temple that was built by Rajaraja I has generated a considerable body of literature due to its importance both as a cultural as well as an archaeological site. The credit for deciphering the inscriptions which covered the walls of this monument goes to Eugene Hultczh and his south Indian assistant, V Venkkayya. The publication of the inscriptional record opened the door for systematic investigation, and right form the early decades of the 20th century there has been a steady flow of publications relating to the architectural and iconographic aspects. C Sivarmamamurth in his monumental work Nataraja saw in the sculptures of the Great Temple the possible source of the iconic image of the dancing Shiva. The discovery of the figures of the karanas of Bharatanatyam was indeed a milestone in the cultural history of South India, as the earliest representations of the dance postures are found in this temple. Further, the discovery of murals in the outer courtyard of the temple complex pushed back the antiquity of fresco painting in the Tamil region by nearly 300 years. The architectural inventory by Pierre Pichard entitled Brhdevara, Tanjavur published by the Indira Gandhi National Centre for the Arts is an excellent source ofr the study of all the shrines and sub-shrines in the temple complex. More recently R Nagaswamy has published his path breaking Brhadesvara Temple: Form and Meaning. All these studies deal essentially with the artistic and religious aspects but there has been no serious attempt at locating the temple in a historical context with the exception of Geeta Vasudevans’s The Royal Temple of Rajarara.

The temple was consecrated on 275 days of the 25th regnal year of Rajaraja-I when the king gave the brass kalasa as the sign indicating the end of the construction of the shrine. The 25th regnal year of Rajaraja-I according to the calculation of N.Sethuraman commenced on a day of Punarvasa in the aparpaksha (dark fort night) in Karkatataka of 1009. Therefore, the 275th day fell on 22nd April, 1010 on the same day when Punarvasu was current (Sethuraman: 1987 17-32). Though he was born under the star Sadayam, Rajaraja chose to have the temple consecrated on a day when his star of accession was ascendant. This fact alerts us to the strong possibility of royal power and dynasty consideration informing the decision to have the temple constructed.

The 25th year of Rajaraja-I had witnessed the phenomenal expansion of the Chola empire. The historical introduction to the royal inscriptions meykirrti provides the historian with a fairly accurate account of the expansion and territorial reach of the Chola Empire. From his 8th regional year royal inscriptions display a medley of phrases that evoke a picture of relentless victories. Like other medieval monarch, Rajaraja-I too sought to craft for his dynasty a royal mystique that yoked religious symbols, concepts and roles to the purely temporal purposes of political power. While no copperplate inscription of Rajaraja I has yet come to light, his inscriptions engraved on the adistana of the Rajarajesvara Temple provide us with material for analysis. While historians have investigated the contents of the prasasti beginning with the phrase, tirumagal pola for clues relating to the sequence of military conquests all over Peninsular India, the fact is that poets like Narayana Ravi who composed the prasasti used scraps of historical memory, puranic genealogical lore, mythical recollections to create eulogies for Chola Kings, whose truth value for the historian is not always above suspicion.

Post modernist perspectives have to some extent rehabilitated medieval South India’s encounter with historiography. Historical narratives are constructs, the argument goes, that impose order, coherence and meaning on the events of the past. Instead of lamenting the deplorable lack of historical aesthetic in the medieval period, some historians celebrate the very absence of the notion of rational chronological history, by re imagining royal Chola eulogies as a trope of World History, as does Daud Ali. The very structure of Chola Copperplate inscriptions such as the Tiruvalankadu inscription of Rajendra I issued in his 6 th regnal year, argues Ali is an elaboration of the puranic horizon of historiography on to the changing, shifting pattern of dynastic ebb and flow (Daud Ali 2000: 165-229). The very recovery of the Chola monarchy after the cataclysmic collapse at the battle of Takkolam in 949, essentially during the rule of Rajaraja-I may have forced a sense of historical evaluation predicated upon the understanding that change is the essence of history. K G Krishnan has observed in his study of Chola royal inscriptions that Rajaraja’s inscriptional preambles have a stereotyped beginning, after which his conquests are mentioned in an order that is seemingly random (K G Krishnan 1987: 43-50). If historical narratives mimic the actual order of events, then Chola inscriptional rhetoric is not historical, even though they may contain a few grains of truth. There is even a suggestion that Rajaraja I may have emulated the Rashtrakuta King, Krishnan III whose Sanikkavadi inscription contains a verse introduction.

The great temple contains two lengthy inscriptions containing a detailed record of the gifts given by Rajaraja I on the occasion of the consecration of the temple S I I vol. II 1,2,). Published more than a century ago, the first of these is 107 paragraphs long and spans the regnal years 25 to 29, almost till the end of this reign. We may point out that the title Rajaraja was used by the king only from his 19th regal year. It is in this inscription in paragraphs 55 – 91 that the king refers to himself as Sivapada, Sekara and from the context of its appearance it is clear that the very act of extending patronage to this stone temple, “tiruk-karralai” was behind the grant of the title. It was again in this significant inscription that Rajaraja-I proclaimed to the world that the gifts handed over by him to the temple which were recorded in paragrphas 51 – 54 came from the war booty captured after his victory over the “Cheras and Pandyas of Malai nadu( S I I vol II #1 para 51).

The collage of genealogy --- puranic and mythical – meykrithi --- historical and chronological and dana – gifts at once magnificent and unrivalled all in a single lengthy inscription suggests that the monarch was constructing an image of kingship that lifted the Chola ruling house from status of one of the 3 crowned kings – muvendar – to one of absolute preeminence in the political landscape. Hence conquest and temple patronage must be viewed in the historical context.

There was yet another aspect of early Chola Kingship that we need to consider – the pattern of succession. While historians generally present the four countries of Chola rule from A.D. 850 till the end of the thirteenth century as “a glorious age”, they tend to overlook the ruptures and disjunctions in the pattern of succession. We may argue that the policy of monumental construction which the Brahadesvara Temple undoubtedly represented was a strategy pursued by the Chola Monarch, Rajaraj-I to provide a high degree of visibility to him and his immediate lineage. The patronage of Rajaraja I to the temple was spread over 4 years and continued until his 29th regnal year which was his last, as 1014 saw the accession of Rajendra – I (1014-1044) to the throne. George W Spencer has argued that the sponsorship of the monumental project of temple construction aimed at encouraging Bhakti as an ideology, and by propagating the worship of Siva in stone temples, a policy that was initiated first by early Chola kings such as Aditya – I (871-907) and Parantaka-I (907-955), the Cholas essentially aimed at consolidating Bhakti devotionalism by making temples the focii of personal devotion (Spencer 1969:47).



George. W. Spencer. “Religious networks and royal influence in eleventh century south India” Journal of the Economic and Social History of the orient , Vol 12, no 1 (1969),



This thesis ignores the specific historical and political context in which the great temple was located, and places salience only on one feature, viz the institutionalization of the tevaram which is first documented in the Rajarajesvara Temple at Tanjavur. Champakalakshmi too has argued that the presentation of the metallic images of the Tevaram trio was a significant measure in furthering the reach of Bhakti in popular consciousness.

Inscription 38 published in South Indian Inscriptions vol. II is the evidence on which the thesis of royal patronage to Bhakti cult is based on. This inscription issued in the last year of Rajaraja-I, the 29th regnal yearconsists of 65 paragraphs and is found on the first niche of the West Enclosure. The gift of images was not made by the king or even by a member of the immediate royal family but by Adittan Suryan, a muvendavelan of Poygi Nadu in Kaveri Delta (S I I vol II # 68). Hence a direct attribution of royal patronage to the Bhakti cult is difficult to sustain.

Having shown on the basis of the evidence that the temple does not bear witness to the devotion to Bhakti on the part of the Chola monarch, we must explore other reasons for the elaborate construction.

The Chola state was a hereditary kingship in which the politics of kinship translated in to the politics of state building and empire making. We may note that the initial success of the Cholas in making themselves the masters of the Kaveri Delta region was predicated upon the successful matrimonial alliance the ___ rulers had built with the Muttaraiyas and the Irukkuvels of Kodumbalur. Inscriptions of Parantaka – I record the alliance between Rajaditiya, his eldest son and the chieftains of Miladu. The importance of this alliance was further strengthened when Uttama Chola, the brother of Rajaditya married Siddvadvan, Chuttiyar from the Miladu Lineage. Sembiyan Mahadevi, the paternal aunt of Rajaraja-I hailed from the Malavaraiyar chieftains. The Rashtrakuta invasion which caused the collapse of the Chola state following the cataclysmic defeat at the Battle of Takkalam in A D 949 was instigated in part by the conflicting dynastic claims between the sons born of the queens from the Rastrakuta lineage and the Irukkuvel lineage i.e. Adiyan Kannaradeva and Parantaka-I. Rajaditya the eldest son of Parantaka was killed. The Parakesari Adiya II too seems to have been killed and the succession passed to Uttama Chola, the tragic circumstances of the accession of Uttama Chola are recounted in the Tiruvalankadu Copper plate inscriptions of Rajendra I. The enclosed genealogical table makes this point amply clear (Trautman: 1981).

Given the tangled nature of dynastic succession in the early Chola period with different segments of the Chola lineage vying for the throne, the construction of huge temple in which Rajaraja-I and his immediate family are found as primary patrons, it may be argued that patronage extended to the great temple was a strategy to enhance the standing and royal mystique of the patrilineal descent group from Vijayalaya to Parantaka I and Sundara Chola and then to Rajaraja I. A hint about the intimate relations between the Chola ruling family and the temple is revaled by the fact that the sister of Rajaraja-I and daughter of Sundara Chola, Kundavai, presented metal images of `ponmaligai Tunjiya Devan’ and Vanavan Mahadevi were installed ( S I I vol II # 6). The mother of Rajaraja-I became sati on the death of Sundara Chola. The installation of the metal images and the commemoration of the sati by the queen of Sundara Chola indicate that Rajaraja’s primary purpose was to enhance the standing and visibility of his own royal family. The fact that after the death of Rajaraja-I his son Rajendra-I succeeded him and even the disputed succession of Kullotunga-I in A.D. 1070, was within the patrilineal descent group of Rajaraja-I.


Instead of viewing the construction of the great temple as an act of religious devotion dedicated to the propagation of the Bhakthi relgion, we have argued that Rajaraja-I aimed to increase the visibility and legitimacy of his own immediate group. Of the two lineages with which the Cholas had their most intense matrimonial and kin relations--the Malavaraiyars and the Irukkuvels—it appears that it was the Irukkuvel line of chieftains who enjoyed the most favoured treatment at the hands of the Chola ruling house and the image of the Queen Vanavan Mahadevi was installed in the Great Temple and this queen hailed from the Irukkuvel family

                                                       Saiva agamas and Chola Kingship
 
The reign of Rajaraja-I witnessed important transformation in the character and practice of religion (Davis 1991: 14-19). The discovery of the lost hymns of the Saivite trio --- Appar, Sambunudar and Sundarar ---- according to popular belief took place during the reign of this Chola monarch. The gradual and steady incorporation of places associated with the Saivite hymns - the Thevaram --- into the sacred geography of Tamil devotional religion is evidenced in the Anbil Copper Plates in which the transformation of sites associated with the hymns to local variations or identification of Siva are said to have become `tirukarralai’ or stone temples. We may point out that a vast majority of the 260 places which may be identified with a degree of accuracy with the hymns of the Thevaram, actually are located within the Kaveri Delta, the core region of the Chola. Hence it is certainly possible that successive Chola kings sought to under grid the legitimacy of their rule by making visible changes in the edifice and ritual calendar of temples associated with the hymns of Tevaram. As we have pointed out, the great temple at Tanjavur does not commemorate a padal perratalam. It has no obvious relationship with the tradition of Saiva devotional religion or the practice of Bhakti. Unlike Tiruvarur which had received songs from all the three major saints, Tanjavur does not figure even in one. It is therefore quite incorrect to argue that the purpose behind the construction of the great temple was to institute the Thevarm as the dominant liturgy of the Temple.



Is there an agamic source for the art, architecture and iconography of the Great Temple? Right from the time when T A Gopinath Rao published his monumental Elements of Hindu Iconography speculation has been rife about the textual sources underlying the construction of the temple. This question has not been raised in recent years primarily due to the overwhelming dependence on theoretical constructs such as the model of the segmentary state propounded by Burton Stein. His concept of sacred kingship in which the distinction between King and God is rendered ambiguous, if not altogether superfluous is predicated on the idea that Indian kingship was a sacred institution and by constructing and sponsoring worship, kings were essentially advancing their own claims to sacredness. In the case of the Cholas it was all the easier to suggest the theory of sacrality of kingship because the kings chose to name the temples constructed after their own names. We have already drawn attention to the name, Rajarajesvara, given to this temple, a name that plays upon the very ambiguity between the name of the king and the deity installed therein.

Burton Stein in his Peasant State and Society in Medieval South India suggested that the Rajarajesvara Temple was a pallippadai shrine constructed in order to express the apotheosis of kinship into semi divinity. Given the importance attached to the theoretical construct of “sacred kingship” derived from Hocartian notion of incorporative kingship, Stein interpreted the spectacular architectural and visual impact of the Great Temple as a medieval south Indian variation of Ankor Wat. R Nagaswamy has ably demonstrated that the great temple was built and consecrated in the life time of Rajaraja I and therefore it could not have been a funerary shrine (Nagaswamy 1988: 172). Burton Stein seems to have concluded that the Rajarajesvara Temple was a shrine erected over the mortal remains of the king because his theory of sacred kingship demanded a devaraja cult akin to the royal practice in Cambodia. Other historians such as George W Spencer and James Heitzman (Heitzman 1997: 121-34) have viewed the royal patronage extended to the temple as strategies designed to integrate a weakly articulated polity by creating an elaborate web of monetary and other transactions that essentially transformed the temple into a nodal point of socio-economic integration. The gifts of power in the form of land, gold, livestock, money and capital were deployed to create a political space in which the rule of the Chola king and from the reign of Rajaraja I that of the patrilenial lineage from Sundara Chola downwards remained uncontested and by elevating the Chola family to a level of eminence where they reigned like the “Sons of the Sun”

The Gifts of Power: Lordship in an Early India State by James Heitzman is a valuable contribution to the analysis of the eely Chola state. Using the inscriptions found engraved on the walls of the Rajarajesvara temple, heitzman is able to establish a widely dispersed network of peasants, pastoralists, merchants and military leaders who participated in and cooperated with the Chola monarch in his political and military ventures. His work demonstrates that the Cholas did possess a strong institutional mechanism by which to make their presence flet in the widely dispersed agrarian settlements of the Kaveri Delta. Given the absence of a bureaucracy through which power could be articulated, the Cholas seized control over the redistributive nexus that linked social groups to the temple. Heitzman’s work carries forward the path breaking analysis of Spencer who more than 4 decades back showed that the livestock and money invested in the temple was used to create a steady flow of resources from the local peasant economies into the coffers of the temple. Thus livestock gifted to the temple were entrusted to the pastoral communities whose participation in the elaborate economic schemes centering around the temple offers some evidence of the inclusive social and economic policy of the Chola period.

The association of the Great Temple of Rajaraja I with a number of important Saivite monastic traditions has been noted by a number of scholars. The name of the deity installed in the temple, Dakshina meru Vittankar in a sense suggests a new habitat for Siva, relocation from Utterameru (northern Meru) to the south, a claim that the digvijaya of Rajaraja I has created a new home for Siva and thereby sacralised the landscape of the Kaveri Delta is a worthwhile speculation. The agamic injunction that a mukyaprasada or pre eminent temple could only be built and patronized by a king whose realm incorporated a number of lesser kingdoms in much the same way a the Great temple had a variety of sub shrines for a whole panoply of parivaradevatas. The following are the sub shrines found in the temple

1 Surya

2 Saptamatrika

3 Ganapathi

4 Subrahmanya

5 Jeyesta

6 Chandra

7 Chandesvara and

8 Bhairava



In addition the temple displays the asta dikpapalas:

1 Indra

2 Agni

3 Yama

4 Nirutti

5 Varuna

6 Vayu

7 Soma and

8 Isana

The disposition of the asta parivaradevata shrines together with the prominence accorded to the image of Tripurantaka in the iconographic programme of the temple makes it clear that an early saiva siddantha text was the inspiration behind the temple. The saiva siddantha inspiration behind the Great Temple is also suggested by the presence of the raudra-mahakalam temple, one of the horrific forms of Siva which is referred to by Venkkayya in his Introduction ( S I I vol II Introduction p 40). The patronage extended to the pasupathas, kapalikas and the kalamukahs by the Cholas, a practice probably derived from the Irrukkuvels, is also seen in the Great Temple whose ritual authority was a kalamukha ascetic. The explicit mention of Isana Pandita draws pointed attention to the agamic text Isana Siva Guru Padatthhi, which was probably followed in the temple.

In Saiva Siddantha as enunciated by the pre Umapathi acharyas, the main focus of devotion was Sadasiva, a deity which is a composite of five entities: Isana, Tatpuruha, Aghorasiva, Sadyojata, and Vamadeva. The iconographic form in which this deity was represented is described in the inscription of Rajaraja I ( S I I vol II pt 2 # 30 pp. 137-38): One solid image forming one of five bodies (murthis) of pancadeha, having ten divine arm has and measuring 22 virals and 4 torais in height from feet to hair. Nagaswamy has provided a conjectural reconstruction of this rare iconographic form and it may be observed that an image of this deity has not been identified in any other temple.

The Saivasidhanta inspiration behind the Rajarajesvara temple is clear from a number of other historical and iconographic details.






Reference




Stein, Burton. Peasant State and Society in Medieval South

India( New Delhi: Oxford University Press, 1980).



Sastri, Nilakanta The Cholas (Madras: Madras University

Press,1955)



Shulman, David. King and Clown in South Indian Myth and

Literature.(Princeton University Press 1989).



Ali, Daud “Royal Eulogy as World History: Rethinking

Copper Plate Inscriptions in Chola India” in Querrying

the Medieval ed Roland Inden et al (Oxford University Press, 2000).





Pollock, Sheldon. Language of the Gods in the World of Men:Sanskrit, Culture and Power in pre-Modern India (Berkley, University of California Press, 2006).



Davis, Richard. Ritual in an Oscillating Universe (Princeton

University Press, 1992).



Nagaswamy, R “Saivism under Rajaraja: A Study” in Seminar on

Rajaraja (Mumbai: Ananthcharya Indological

Research Institute, 1987).



“Iconography of the Brhadesvara Temple” in

India’s Sacred Art ed Barbara Miller Stoler, New

Delhi 1987.



Raghotham, Venkata . “Kinship, Politics and Memory in Early Medieval

South India: A Study of the Funerary Shrines of

the Imperial Cholas” in Sri Nagabhinandanam:

Essays on Art, Hisory, Archaeology, Epigraphy

and Conservation of Cultural Property ed L K Srinivasan, S Nagaraju et. Al. (Bangalore, 1997).

Wednesday, April 8, 2009

MARK WILKS: THE FIRST HISTORIAN OF VIJAYANAGARA

I INTRODUCTION: ISSUES AND PERSPECTIVES

This paper was delivered as the Loyola College Endowment lecture at the Tirunelveli session of the South Indian History Congress, January 30-Feb 1 2009. The author thanks Dr G Chandrika, Reader, Department of History, Pondicherry University, for making valuable suggestions.Mark Wilks (1759-1831) remains a curiously neglected historian of the early nineteenth century, a period that saw the emergence of British paramountcy over India. As a soldier, Lt Col. Mark Wilks participated in several of the battles that were fought in southern India and was with General James Stuart when Tipu Sultan’s capital was stormed in May 1799. As a diplomat, Mark Wills, the Resident at the restored court of the Wodiyars at Mysore, was quite successful in bringing Mysore firmly into the grip of the administration of the Madras Presidency. Committed to the restoration of what was then regarded as an ‘ancient dynasty’ Mark Wilks had to deftly subvert powerful votaries of outright annexation of the territories of Tipu Sultan and he undertook a long range historical investigation that combined the principles of enlightenment historiography with the analysis and representation of the histories of states, cultures and societies that differ fundamentally from the prevailing notions of property, civil society and government. Wilks in his Historical Sketches of the south of India made a pioneering attempt to place the political structure encountered by the English in southern India in the historical context of the disintegration of the Vijayanagara Empire and in so doing laid the basis for a historical methodology that is still relevant in that the combined epigraphic evidence with the material collected by Colin Mackenzie: the weakness of the later corrected by the strengths of the former.
With Edward Said’s Orientalism and the consequent rise of post-colonial theoretical constructs, texts such as Mark Wilks’ Historical Sketches of the South of India are interrogated for traces suggesting ‘identity’, ‘ideology’ and more recently artifacts that “fashion” individuals. The methodological principle involved in such analyses in the elaboration of a discursive field linking within texts with a host of institutions, ideas and political and economic interests. Historians like Robert Orme, Mark Wilks, Mountsturat Elphistone and Grant Duff are generally viewed as ‘imperial historians’ whose works in the words of Burton Stein constitute a ‘trophy of domination’ (Stein 1985:387).
The highly charged military and political context in which these historians wrote their works, the Carnatic Wars, the Mysore Wars and the Anglo-Mahratta Wars lends credence to the view of Stein. All four of these early historians were participants in military engagements with Indian states and therefore their views were necessarily colored by their experiences. In her path breaking India Inscribed: European and British Writings on India’s 1600-1800, Kate Teltscher has used techniques of literary analysis in order to demonstrate the common assumption, strategies and imagery shared by early historian and travel writers that reflect the “anxieties of empire”. Linda Colley has added yet another dimension to the post colonial perspectives by arguing that the experience of captivity was central to the growing sense of English / British identity (Colley 2002:307).
An important intellectual factor in the history of the second half of the eighteenth century was the influence of the European Enlightenment particularly its engagement with historiography and the past. In scholarly interpretations of the writings of historians such as Mark Wilks the influence of the Enlightenment is hardly ever emphasized even though his monumental Historical Sketches of South of India bears three important marks of enlightenment historiography. Firstly, Wilks was able to reconstruct for the first time a continuous narrative of the history of peninsular India from the early thirteenth century by scouring historical materials in three different languages: Persian, Kannada and Telugu. Secondly, historical events such as wars battles, rise and fall of dynasties are placed in a context that is sensitive to both the structural features of continuity and the contingent features of change. Finally, Wilks sensitive to the Enlightenment project of comparative ethnography attempted to identify the linkage between ‘civil society’ and political power and in doing so created the concept of south Indian villages being ‘little republics’, a notion that entered western social and political theory through the writing of Karl Marx. The earliest description of rural agrarian communities of Mysore as ‘little republics” are found in Historical Sketches and Marx cites Wilks as his authority when the analysed the unchanging nature of Indian social formation that constituted the foundations for a despotic political order.
In this paper we attempt an analysis of Mark Wilks’ Historical Sketches of the South of India with a view to uncovering the influence of the Enlightenment on his concept of historiography. We have examined Mark Wilks’ reconstruction of the early history of the Vijayanagarara Empire in order to demonstrate the lien critical method had on his approach to history. Secondly, we investigate Wilks’ treatment of the history of Mysore under Hyder Ali and Tipu Sultan. Indian historians have excoriated Wilks for his “bitter invective” against these two rulers (Habib 1999: xviii). We argue, herein, that part of his denunciation of the Hyder-Tipu regime stems from the political context informing his work: a justification for the restoration of the Wodeyar dynasty under the subsidiary alliance with the East India Company. Finally, we examine the participation of the Indians in the establishment of the company raj. Individuals like Diwan Purnaiya who served both Hyder Ali and Tipu Sultan and as Prime Minister under Krishna Raj Wodeyar possessed the ability to transcend regime change and retain agency at the time of rapid and momentous change.


II. MARK WILKS: A BRIEF BIOGRAPHY

Mark Wilks remains a shadowy figure in spite of having behind a historical masterpiece and several letters together with the correspondence between the Court of Directors and the Mysore Residency. Recently professor L.B.Thrower has pieced together his life in his From Mann to Mysore: the Indian Careers of Col Mark Wilks FRS and Lt Gen Sir Mark Cubbon. Based on private papers preserved in the Isle of Man and British library this book explores the life of Wilks and his nephew Mark Cubbon from a biographical perspective and there is little analysis of his historical scholarship and intellectual influences (Thrower 2006). The classical education Mark Wilks acquired at the Isle of Man is attested by his frequent references to Herodotus, Livy, Strabo, Nearchus and other Greek and Latin writers of antiquity. His life long interest in classical literature and scholarship made Wilks give the following piece of advice to his young nephew Mark Cubbon in a letter written on May 9, 1807.

I advice you above all things not to allow your classical education to slip through: in Greek you had not made sufficient progress to hold your own with facility, and although the first of languages it may go if you find it troublesome to recover (Thrower 2006:88)..

Apart from solicitous concern for Cubbons’ classical education Mark Wilks could always be relied upon to send his nephew octavo volumes of Greek works.

The classical education imparted to Mark Wilks destined him to one of the non conformist ministries like his famous namesake from Norfolk. However, a career in the East India Company was widely regarded as opening the wide doors of fame, fortune and prosperity, while the ministry would only lead to religious and spiritual solace. With the backing of Sir Henry Fletcher, Deputy Chairman of the court of Directors, Mark Wilks secured a cadetship in the Madras Army in 1781 when he was 21 and was commissioned officer in 1782. Since the Madras Army worked closely with the Political Department of Fort St. George cadets like Mark Wilks were trained in the Persian language and the retained a life long interest in Persian literature. Wilks published an English translation of the Persian poet Nasir-ud-din’s, Aklak-i-Naseri in the Transactions of the Royal Asiatic Society. The lengthy correspondence Mark Wilks had with Lt Col. William Kirkpatrick dealing with the nuances of Persian prosody provides evidence of his abiding interest Persian literature. Ability to read Persian was considered essential for superior office in the Madras Army as Persian become language of diplomatic correspondence by the middle of the seventeenth and early eighteenth century.
The Madras Army at the close of the eighteenth century was a patchwork of armed peasants drawn from the poorer, dry regions of peninsular India. The regiments constituting the Madras Native Infantry to which Mark Wilks was seconded consisted of troops that had fought in the two earlier Carnatic and Mysore wars (Wilson 1883:38). Co ordination of both strategy and logistics was the responsibility of the Military Board at the Fort. In 1786 Mark Wilks with the rank of captain was appointed Deputy-Secretary of the Military Board and in 1787 accompanied Barry Close on a diplomatic mission to Mysore. In 1788 Wilks was appointed Town Major and soon after became aide-de-camp to Col. James Stuart, becoming military secretary in 1794. After a brief furlough in England, Wilks returned and served as private secretary to Lord Edward Clive and it is the delicate mission’ undertaken by Wilks as Clive’s secretary with which William Darlymple’s White Mughals begins.
In 1803 when John Malcolm was sent as the agent of the East India Company to Basra, Mark Wilks was appointed Resident at Mysore and served as political resident until 1808 when he returned to England.
The second phase of Mark Wilks life began with his appointment as governor of Saint Helena, an island in the Atlantic Ocean. This island was one of several acquired by the East India Company in the seventeenth century when its sailing ships needed a port before beginning the long arduous and dangerous passage circumnavigating the Cape of Good Hope. The East India Company did not essentially trade in slaves, but its employees were not above indulging in that inhuman trade. Saint Helena was known to play host to slaving ships sailing across the Atlantic from the west coast of Africa. It appears that for sometimes towards the close of the eighteenth century slaves were being brought to Saint Helena from Bengal. The Indian Records series of Fort-William-India House Correspondence in its volume XIII p.225 contains an important document that sheds light on this trade. It must be mentioned that Mark Wilks, as Governor of Saint Helena, though he did not or could not outlaw slavery, seems to have taken a humanistic view and the tombstone of Samuel Ally, a freed slave at Kirby in the Isle of Mann provides a moving testimony to this fact (Thrower 2006:98).
Mark Wilks, as Governor of Saint Helena, was responsible for the safety and well being of its most illustrious inhabitant, Napoleon, the deposed emperor of France. The French Emperor seems to have held Mark Wilks in high regard. Henry Lowe, Wilks successor was a study in contrast and Napoleon seems to have had a healthy disregard for him. At Saint Helena, Mark Wilks continued the work associated with the Enlightenment inviting the famed botanist William Roxburg who had set up the botanical garden in Calcutta to help with the cultivation of cinchona obtained from South America at Saint Helena with the ultimate purpose of introducing commercial cultivation of India.
Upon this return from India, Mark Wilks settled in the Isle of Man where he owned the beautiful estate of Kirby. Having lost his son, John Barry, named for Col. Barry Close, Wilks remained a devoted parent to his only daughter, Laura. Scholarly recognition to study of south Indian history came in the form of a fellowship of the Royal Society and was the Vice President of the Royal Asiatic society for several years. His public service in the Isle of Man saw him being elected to the house of Keys in 1811 and in 1823 was elected Speaker of the House (Thrower 2006:98).
In this brief sketch of the life of Mark Wilks we have attempted to show the extraordinary career of a young man from the remote islands of the British Isles to high office. The East India Company provided both opportunities as well as challenges and by physically locating the spatial distribution of places associated with the life of Mark Wilks we may begin to appreciate the global reach the East India Company had acquired: Isle of Mann, London, Madras, Calcutta and Saint Helena. Mark Wilks make s a global perspective possible in that all the major events and personalities of the late eighteenth century intersected with his own individual biography (Ogborn 2008). The American War of Independence, the French Revolution, the Rise of Napoleon, The bitter contest with Hyder Ali and Tipu Sultan in Southern India, public debate over slavery and the impeachment of Warren Hastings were all public events in the life of Mark Wilks and can illustrate the extent to which historical events shape and transform the lives and fortunes of ordinary mortals.
I
II. WILKS AND THE MACKENZIE COLLECTIONS

The influence of the Enlightenment on the canons of historical scholarship and the conventions of historiographical representation was considerable. Historical scholarship was being underpinned by whole panoply of devices, the footnote being one of them, whose purpose was the transparent evocation of evidence on which the narrative rested (Grafton 1998). Mark Wilks was among the earliest historians to use both literary and inscriptional evidence in his work. Unlike James Stuart Mill who used only English language records of the East India Company, Wilks integrated material from the traditional accounts preserved in the Mackenzie Collection in his narrative (Majeed 1992: 148). Political and military events analysed within the framework of an exact chronology, with lengthy analysis of land and property relations, together with detailed reflections of English interests in India, threatened first by the American Revolution and second by the Napoleonic aftermath seen through the prism of Balance of Power, are the outstanding features of Wilks’ historiography.
Quite early into his scholarly pursuit, Mark Wilks discovered the startling contrast between European conceptions of the historicity of human actions and therefore rationally apprehensible and Indian indifference to historical events and their consequences. To quote Wilks:

The department of ancient history in the East in so deformed by fable and anachronism, that it may be considered an absolute blank in Indian literature.(Vol I:xxv)

This important statement reflects the fractured historical consciousness encountered by the officials of the East India Company in that there was indeed a strong emphasis on the puranic mythology and its regional variants in providing the cultural resources for memory and representations the past. A more sympathetic interpretation of the same historiographical conundrum is found in the Textures of Time: Writing History in South India in which Narayana Rao, David Shulman and Sanjay Subramanyam point out:

A latent metaphysics animates each of these works and calls for analytical formulation, as is the case in any other historiographical text, from anywhere in the word.(Rao et.al.2001 252).

Mark Wilks preferred to read the material, particularly the documents collect from the Mackenzie Collections, against the grain, accepting as evidence “facts” corroborated from inscriptions.
The eighteenth century antiquarians and historians encountered a genre of historical material that was novel in that European antiquity was unaware of its existence. These were the copper plate engraved inscriptions whose discovery during the course of Col. Colin Mackenzie’s surveys led to the recognition that such records offer a window into the past. Yoking the elusive events of the past to the iron frame of time, disciplined by the use of a calendar, arranged in a linear direction, was the ideal of the Enlightenment and Mark Wilks clearly embraced this ideal:

These ancient documents are of a singularly curious texture; they almost always fix the chronology, and frequently enfold the genealogy and military history of the donor and his ancestor, with all that is remarkable in their civil instructions, a religious reforms; and the facts derived from these inscriptions are illustrated by a voluminous collections of manuscripts, which can the trusted with confidence so far as they are confirmed by these authentic documents (vol I: xxv).

In a letter dated 12 November 1809 to William Kirkpatrick, Mark Wilks referred to the immense problems the encountered in reconstructing the early chronology of south India and those stemming from the calendar introduced by Tipu Sultan (Mss Eur F 228:21). With the assistance of Abbas Ali, “field munshi” of Hyder Ali, Wilks hints at the preparation of a memorandum which is unfortunately lost. Synchronizing dates using the Adick or intercalary month that fell in the eleventh or twelfth month of the lunar calendar did lead to inconsistent chronology and hence CP Brown remarks:

Lt Col Mark Wilks in his Historical Sketches has given the genealogy of the rayar of that country but his dates are a riddle to me, they do not accord with any known reckoning and he does not expound his method (Brown 1853: preface).


Erroneous dates abound in Historical Sketches but Wilks attempted to bridge the gulf between chronological confusion and historical exactitude.
The foundation of Mark Wilks historical scholarship rests on the collection of material assembled by Col. Colin Mackenzie. Known as the Mackenzie Collection this assemblage of documents transcribed by nearly 20 Indians assistants has been neglected by historians as a source of history, primarily due to the fact that these records contain an impossible blend of fact, fiction and fanciful narration. In recent years this “Imperial Archives” as Nicholas Dirks terms it has been viewed as colonial “Britain’s most extensive engagement with Indian history”( Dirks 2002: 82). The instrumental logic animating such surveys his spelt out clearly by Bernard Cohn when he argued that the “Surveys” and the knowledge gathered from surveys was transformed into “textual forms” that was “deployed by the colonial state in fixing, bounding and settling India”( Cohn 1997: 8).
Both Nicholas Dirks and Bernard Cohn align themselves firmly with Foucault’s idea that ability to mark, see, observe and represent is inscribed with relations of power and dominance, the very basis of colonialism. This view, the dominant view in the post-colonial discourse on India, is misplaced in that it does not engage either with the individual agency or the larger cultural and intellectual world that existed out side of the micro world of colonialism. The issues of identity have become dominant in the field of post colonial theory and the encounter between England and South India is reduced to fashioning and articulation of identities. A G Hopkins in a critique of post colonial perspectives has pointed out: “The new skepticism has enabled researchers to retreat from the hard political and economic questions that were once central to imperial history. Modes of production have been replaced by modes of discourse; ideas have become material forces; material forces has once understood have become epiphenomena”(Hopkins 1999:199).
The genre of historical materials used by Mark Wilks has been termed Karanam historiography. The manuscripts collected by Mackenzie and his assistants like Kavali Venkata Rao and Booria were late eighteenth and early nineteenth century renderings or redactions of late Vijayanagara prose texts recording the life, adventures, valor and political and ritual transactions of powerful warrior lineages link to the nayakas. Karanam historiography was not self consciously reflective but it did possess a structure, usually the genealogy--vamsavali--of the nayaka family, its incorporated diverse elements like wars, migrations, wonder stories, titles (birudas) awarded and danas (gifts) performed. Representing history in this form also provided a template for legitimacy in that such documents reflect on the wider domain of south Indian politics.
Mark Wilks recognized the utility of such records and in the true fashion of Enlightenment historian used the Mackenzie manuscripts to “illustrate the civil, military and religious institution.”(Vol I: xxv). In the eighteenth century history moved beyond the limits of political and military events to investigate the larger world of society and economy--civil society--as that domain came to be called. Wilks reconstruction of the early history if the Vijayanagara Empire is entirely versed on the Mackenzie Collection as the reproduces the Vidhyaranya myth in the account of the foundation of Vijayanagara (vol I: 18).
In a letter dated November 4, 1809, Mark Wilks states in some detail the literary material used, and refers to a History of Mysore compiled by Purnaiya (Mss Eur F 228:21).. In the same letter he refers in passing to “intelligent and experienced Hindus who possessed journals or family manuscripts” (Mss Eur F 228: 21). A red book given to Mackenzie is stated to be “a great treasure”. It is obvious that in the 200 years since the compilation of the Mackenzie Papers, several of the records have been lost. Wilks also refers to a History of the Wodeyars which was written in Kannada language that was translated into Persian in 1798 at the behest of Tipu Sultan (vol I: xxi). Wilks was able to use the Persian version. This material eventually found a place in the Mackenzie Collection as it was passed on the Colin Mackenzie by Kirkpatrick, one of the commissioners for Mysore appointed by the Earle of Mornington. Apparently at the time of the sack of Srirangapattinam, the archives of the Mysore Kingdom were destroyed. Wilks refers to Kaditams, cloth books, on which royal records were written. From the references given by Mark Wilks it is possible to conclude that south Indian kingdom in the century and a half after the fall of Vijayanagara, had begun to record historical facts in an orderly manner, farming the basis of what historians now regard as the Karanam historiography. The Mackenzie collection offers or glimpse into the material such as Maisur Arasu Purvabhyudhya that reflects on the rise of the Wodeyars to prominence in the penumbra of Vijayanagara decline.



Mark Wilks’ approach to the history of Mysore was framed by two significant events--the rise of Vijayanagara Empire in the middle of the fourteenth century and the usurpation of Hyder Ali that linked the History of the region with the larger domain of Islamic states and polities. For an understanding of the Turkish and Mughal periods of the Indian history, Wilks relied on the chronicle of Ferishta.
There is an important insight with which Wilks begins his analysis of the Vijayanagara Empire: the formation of regional languages and the politics of empire. “The ancient divisions of the country may be traced with great probability by the present limits of the spoken languages than by any other guide which in easily accessible....” The reason for the emphasis on language can be traced level to the belief prevalent amongst the philosophers of the Enlightenment that a common spoken language was the consequence of a shared history. Thus esentialising language Mark Wilks observed:

Identity of language may safely be admitted to prove identity of origin; and in the absences of more direct evidence constitutes a criterion of political union, less liable to change from the influence of time than any other test that can be proposed (vol I:5)..

The European Enlightenment confronted the tangled question of the ‘origin of nations’ by positing a dyadic link between language and ethnicity. Mark Wilks in the passage cited in the previous paragraph was merely reflecting the scholarly consensus of his day. Projecting the spread of languages--Tamil, Telugu and Kannada--backward to the medieval past, Mark Wilks merely reified the process of identity formation based on linguistic affiliation, the enduring basis for an imagined linguistic grouping back into the Vijayanagara past. In attempting a homology between language and nation Mark Wilks was merely echoing the sentiments ofFrancis Whyte Ell, his Madras based contemporary (Trautman 2006:113).
Wilks perception of Vijayanagara Empire as a “barrier to the progress of the Mohammedan arms”, was further elaborated by Robert Sewell in his the Forgotten Empire. This view is essentially derived from the traditional literary accounts preserved in the Mackenzie Collection, in which the foundation of the Vijayanagara Empire is attributed to Vidyaranya a sage under whose influence Hari Hara and Bukka are stated to have acted. As in the case of language, discussed earlier, here again we find a tendency towards reification, this times of religion. Recent historical researches have demonstrated that religious identities in Vijayanagara were complex and multi vocal (Raghotham 2002: 139).
Historical Sketches of the South of India published first in 1810, made a realistic attempt at placing Vijayanagara history in a universal framework. Like his famous contemporary, Edward Gibbon, Wilks also identified the rise of Islam as a powerful force that shaped the course of history and he placed the predatory expeditions of Malik Kafur and Ulugh Khan in the context of the expansion of the Delhi Sultanate, Again, presaging the argument of the Richard Eaton, Wilks saw the emergence of the Bahamani Sultanate and Vijayanagara as part of the same historical process and not as a reaction to the former.
The explanation of the Delhi Sultanate south of the Deccan is perspicaciously viewed by Wilks as a consequence of the expansion of the Mongols and the threat they posed to the Islamic polity. South India provided the wealth with which the Mongols were “bought off” as Wilks put it, quoting Ferishta as his source. The resultant redistribution of wealth in Mongol heartland is captured thus:

It is a curious fact that the plunder of the south India was thus transformed by a double process to be buried in the plains of Tartary (Vol I: 23).

In fact Mark Wilks points continuity between the Mongol invasion of 1398 under Taimur and the eventual establishment of the Timurid House in India under Babar merely a century later.
Marks Wilks, like any contemporary of the Enlightenment was attracted to the characteristic differences in the forms of civil society and royal power in India and Europe. Caste and Despotism were invoked as literary tropes to explain and rationalize the apparent unchanging nature of the Indian society--vegetating in the teeth of time--in the purple prose of Karl Marx. Rejecting the then widely accepted theory of environmental determinism, Wilks argued that despotism, by which he meant absence of “civil liberty” was the result of the absence of written law and the infusion of religion in purely secular maters of civil society and its functioning. As Wilks remarks:

The affairs of the government, of judicature and of police down to the most minute form of social and domestic intercourse, are all identified with religious observances, the whole is sacred and unchangeable ( vol I :27).....

The despotism springing from the union of “divine and human code” generates its own countervailing tendency through dynastic changes--incessant revolutions as Wilks termed them.
Vijayanagara Empire is therefore seen as the outcome of the force of despotism clashing with the expansionist zeal of the Islamic Delhi Sultanate. Yet Wilks rightly recognizes that the power and élan exuded by Vijayanagara was fragile and uncertain; recent historical researches have confirmed the insight of Wilks.

The external appearance of the general government was brilliant and imposing, its internal organization feeble and irregular; foreign conquest was a more fashionable theme than domestic finance at the court of Vijayanagarar...

A splendidly monarchy with uneven and limited capability to extract and deploy resources, human and fiscal, is now the prevailing paradigm of Vijayanagara historiography.
The fall of Vijayanagara in 1565 and the rise of “little kingdoms” like the Wodeyar Kingdom of Mysore is seen by Mark Wilks as setting the stage for a new phase of state formation in peninsular India, in that kinship and community linkages provided the impetus for the growth of polities that were expansionist in proportion to their ability to tap into the emerging military labor market and fiscally extractive in their desire to maximize fiscal resources to sustain their military establishments.
The Mysore kingdom under the Wodeyar and the regimes of Hyder Ali and Tipu Sultan are examples of such states.
The sources consulted by Mark Wilks and the traditional narratives collected and assembled in the Mackenzie Collection admit the conclusion that in the eighteenth century history writing had begun making inroads in south India. The century that witnessed unprecedented levels of military violence, migrations, contests over sovereignty, both in Madras and Bengal, increasing integration of Indian handicraft industry into an emerging ‘global economy’ and, of course, rise of new forms of political organization and legitination, also saw new and novel forms of anchoring collective memory to written records and social identity. Genealogies and the like were invoked for settling land right claims inams and descent was seen to confer legitimacy to succession. Therefore one level at which disputes were fought over was that of history, a contest, as it were, for the past.
The Wodeyar kingdom of Mysore claimed its political legitimacy to its emergence as a principality during the heyday of Vijayanagara Empire. Mark Wilks recounts the charming story of a damsel in distress who was rescued from an inappropriate marriage that was preserved in a Mackenzie manuscript (Vol I: 39). Such stories are found distributed across the political landscape constituted by the poligars. In the case of the Mysore kingdom we have the added dimension of a pastoral community--the idaiyar--emerging to political strength and prominence. Thus the rise of the Mysore kingdom was a consequence of the fall of Vijayanagara though for political reasons the fiction of allegiance to the rulers of Penukonda, Vellore and Chandragiri was preserved with decent reverence. The rise of the Mahrathas, the Nizam of Hyderabad and the French power in south India are traced in some detail by Mark Wilks in order to prepare the background for the cataclysmic fall of Srirangapatinam in May 1799.
Mark Wilks was appointed political resident in 1803 and seems to have started collecting material for his great work soon after. Wilks was suited for this assignment having worked closely with the Mackenzie survey. Lord William Bentinck had requested Wilks to prepare a report on the revenue interior administration and resources of Mysore, as a follow up of the survey undertaken by Colin Mackenzie in 1799. The detailed statistical abstract of income and expenditure which figures as part of the report is based on information collected by the Mackenzie survey (Robb; 1998:205).
The defeat of Tipu Sultan in 1799 brought to the fore the issue of partition or annexation of the territories of the erstwhile Sultans. The English policy towards Tipu Sultan and earlier toward, Hyder Ali was based on the realization that the Sultanist regime was implacably opposed to the ambitions both territorial and economic, of the company. The defeat of Lord Cornwallis at York Town in 1776 and the fall of Britain’s Atlantic empire with the material assistance of France perhaps made Tipu Sultan seek French assistance. An embassy was sent to Versailles in 1787. Tipu”s aim was to seek 3000 French Soldiers who would be paid a fixed salary by the Sultan Lafont 2000:168). Further, the French were to receive commercial privileges. The French revolution of 1789 broke out before these objectives could be achieved. Tipu Sultan was aware of Napoleon’s presence in Egypt and sought his help. The East Company alert as it was to the situation in Europe respondent by creating ring of the states whose appetites were whetted by a vague promise of territory carved from the kingdom of Mysore. The Maharattas and the Nizam of Hyderabad were roped in to form a Triple Alliance against Tipu Sultan. Mark Wilks was objective in this assessment when he stated that the policy of Cornwallis was “calculated to produce a war with Tipu Sultan, than an open defensive alliance”(Vol II: 378).It would be interesting to analyze company policy towards ‘native states’ in the context of prevailing notions of English statecraft predicated upon the balance of power. The correspondence of the Earl of Mornington makes it clear that even as the company was protesting its firm alliance with the Peshwa it was at the same time encouraging Scindhia; this wedge in the Mahratta confederation was to lead to the collapse of Mahratta power in 1818.
The options before the East India Company adverting to the erstwhile territories of Tipu Sultan were two fold: annexation or restoration. Thomas Munro, then Collector of the Ceded Districts was a powerful voice against the restoration of the Wodeyars. Barry Close and Mark Wilks amongst others were advocates of a different policy: restoration of the Wodeyar family, with territorial compensation to satisfy the Peshwa and the Nizam. At one level the entire History of the South of India can the read as a retrospective defense of the policy of restoration most strongly advanced in the council of Fort Saint George by Josiah Webbe.
Burton Stein in his outstanding biography of Thomas Munro does not refer to Munro’s role in the settlement of Mysore, following the fall of Srirangapattinam (Stein: 1998). In a Minute dated June 10, 1799 Thomas Munro provided a series justification for the outright annexation of Mysore. In this minute there is the realization that an eventual conflict with the mahrattas was inevitable, together with a realistic assessment of their mode of warfare. Munro was stinging in his remarks on the policy of restoration:

No political advantage can be gained by dragging the descendant of the Rajahs of Mysore from his obscurity and placing him an the musmud, unless we suppose it to be me to divide only a part of the country, in order that we may, by excluding the Nizam extend our own influence over the rest (Gleig vol I:233)..

Further, Munro was opposed to the idea of investing a six year old boy with the crown. Instead of restoration, Munro argued for a partition of Mysore between the company and Nizam, implying thereby that Mahratta hostility could be assuaged temporarily with the cession of Anaigondi, adding that they “might not the perfectly satisfied” (Gleig vol: 233).
The boy king placed on the throne was under the direct authority of his divan, Purnaiya. Mark Wilks provides little information about their able administrator who began his career as a shresttidar under Hyder Ali rose to the position of a finance minister under Tipu Sultan and was trusted with a contingent of horses and troops which was garrisoned as Satyamagalam. Purnaiya himself was not above inflating his importance in the administration of Hyder Ali by recounting an intimate conversation he is said to have had with the Sultan (Vol II: 121). Mark Wilks earlier while writing his Report paid Purnaiya handsome tribute for husbanding the resources of the truncated Mysore kingdom. In the Historical Sketches he states the commercial regulations of the Tipu Sultan, al Siraijiya, were administered by Purnaiya.
In History of Tipu Sultan by the well known historian, Mohibbul Hasan, Purnaiya is depicted as an individual whose loyalty to Tipu was suspect. Mark Wilks, however, does not provide even a hint of the changed loyalty of Purnaiya and being a contemporary and one with whom Purnaiya shared a good rapport we may safely expect him to record such a happenstance. The silence with respect of Purnaiya’s alleged treachery suggests that there was little truth in the theory of internal subversion as the cause for the defeat of Tipu Sultan. Mark Wilks makes no mention of the alleged plot of 1797 in which Mir Sadiq, Purnaiya and Qamar-ud-din Khan were said to have been involved. The failure of Purnaiya to intercept the troops of General Harris cannot the attributed to any mala fide intent and even Mir Sadiq, the diwan, was actually killed in the battle along side Tipu Sultan. Wellesly, the commander-in-chief, writing to his brother, the then governor general, mentions the death his Sadiq and in no way implies that he had in anyway assisted the investing army ( Brittlebank 2003:201).
Historical records pertaining to the days immediately following the death of Tipu Sultan provide a fairly good indication of the non involvement of not the actual innocence of Purnaiya and Qamar-ud-din Khan. In a letter written by General Harris dated May 13, 1799 just over a week after the fall of the Srirangapatinam the general observes:

This morning Purneah, who has so long been at the head of the principal departments of the Mysore government and enjoyed the confident of the late Sultan, paid me a visit, having arrived last night from the army which remained under his command (.Dispatches of Lord Morington:7).

This letter certainly proves that Purnaiya enjoyed the confidence of Tipu Sultan and if there was any secret correspondence prior to this meeting General Harris would most certainly have known. Moreover, the proposal that Purnaiya made was certainly unorthodox: he advocated the crowning of Fatheh Hyder as the king. Had Purnaiya been a party to the conspiracy against Tipu, it is highly unlikely that he would have sought the throne for his son. Another letter quoted by Kate Brittebank states:

I think it is very immaterial whether Futteh Hyder and Purneah come or not. At all events I have got his family of his latter, which is tolerable security for his behaviour (Brittlebank: 2003)..

The fact that Purnaiya’s family was held hostage to ensure his good behaviour suggest that he was not party to any conspiracy against Tipu Sultan.
In the Interest of historical accuracy there is one single solitary document in the form of a memorandum to lord Mornington that states that Mir Sadiq and Purneah would become useful instruments in establishing a new government. This document clearly established possible fault lines in the administration of Tipu Sultan. It certainly does not make Purnaiya complicit in an act of Treachery.

We have argued in this paper that the influence of the European Enlightenment formed an important aspect in the historiography of Mark Wilks. We have demonstrated that he effectively used both literary and other sources in his narrative. We have shown that the Mackenzie Collection formed a vital corpus of information on which Mark Wilks mounted his reconstruction of the History of Mysore. In his treatment of the history of Vijayanagara, we have drawn attention to the use of the concept of oriental despotism and have tried to contextualize the notion of despotism in the political discourse of the eighteenth century. The concept of history embodied in Mark Wilks work is quintessentially derived from the Enlightenment.
We have situated the book within the larger context of debates within the ruling circles of the East India Company on the issue of Tipu Sultan and his dominion after 1799. Further we have looked at the role of Purnaiya in order to answers a question that has dogged south Indian historiography.
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